Tag Archives: being

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Magellanism

authentic artistic productions
the avant garde…
whisper unconscious koens
subliminal social suggestions
haunting the ready, the restless…
prepares ground
for punctuated emergence

what is this light ???
a cascading series
of erotic creative toggles
which vitalize the preparation
of this special autopoesis
the poetry of our collective dance
becomes obvious
in these special glimpses
of the great remembering

it’s more than the eros
of pursuing the excellent questions,
the loving play and design
of cognitive gifts and exercise…
it’s more than the sacred reverence
of our sanga in practice,
this emergent suchness,
exhibiting delicious blended elements
of both…
ah !!

at this intersection of our experience
a fresh, new, and alive we-ness emerges
mysterious, gorgeous, seductive presentations
the stuff of this new manifestation
the resonance of our fresh social moment
this precious group
this shared new luminance
new containers are formed
already brimming,
with our splendid light

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Listening from Being | Listening from Oblivion

“Where listening really is well rooted in the bodies felt sense of being, it makes contact with our primal, opening relationship to being as a whole, and can retrieve the implicate, pre-ontological understanding of being that the body has always silently borne — always and already, long before we are mature enough to care about its retrieval. What are listening really is deeply rooted in the bodies felt sense of being, it is opened out to the sonorous field as a whole and becomes thereby an organ of being, an organ of recollection, gathering up into itself this sound fullness of the field.”   ~ David Michael Levin

Last night a group of friends gathered to talk about poetry and in particular three poems from W.S. Merwin’s work, The Vixen.  We looked at the opening poem of that volume which sets the stage for the ensuing poetic examination and then at the last two poems which point to a kind of closure of sorts. These poems are rich with the imagery of the fox who, from Zen traditions, is a portal of transformation.  In many ways, Merwin’s work in here is about death but death of a very particular kind.  The penultimate poem of the work goes like this:

VIXEN

Comet of stillness princess of what is over
high note held without trembling without voice without sound
aura of complete darkness keeper of the kept secrets
of the destroyed stories the escaped dreams the sentences
never caught in words warden of where the river went
touch of its surface sibyl of the extinguished
window onto the hidden place and the other time
at the foot of the wall by the road patient without waiting
in the full moonlight of autumn at the hour when I was born
you no longer go out like a flame at the sight of me
you are still warmer than the moonlight gleaming on you
even now you are unharmed even now perfect
as you have always been now when your light paws are running
on the breathless night on the bridge with one end I remember you
when I have heard you the soles of my feet have made answer
when I have seen you I have waked and slipped from the calendars
from the creeds of difference and the contradictions
that were my life and all the crumbling fabrications
as long as it lasted until something that we were
had ended when you are no longer anything
let me catch sight of you again going over the wall
and before the garden is extinct and the woods are figures
guttering on a screen let my words find their own
places in the silence after the animals

There is in the poem something that goes beyond being into the rootedness of being itself; of something which cannot be spoken (unlike capacity to speak to the existence of being – which is palpable and, while subtle, clearly knowable). Levin’s work, for me, speaks beautifully to this grounded sense of Being, and the consequent practices of listening from this causal space for the emergence of the particular from that Ground of Being. But his work is also arduously convoluted and requires, in practice, an attention to a particular kind of state awareness that will give rise to the particulars of subject and object in the field of the sonorous.  He struggles mightily to speak about it, to speak to it, to speak with it.  And in the process he seems to be missing a core dynamic.

This all causes me to inquire into the relation of this Being and Oblivion.

There is something else entirely going on in Merwin’s poem.  It is as though Merwin is not speaking to something, but speaking from someplace.  He manages to evoke what Levin can only describe. Levin talks of the felt sense, but cannot seem to conjur it.  Merwin can.  And the quality of listening is so very different in these two places. Levin’s world involves a kind of agenda – a striving – that he describes variously in the piece. It has to do with the reconciliation of fundamental existential dread and finding something that is missing – the construction of meaning from meaninglessness through an affirmation of Being.  It feels to me like a full out assault on the proximity of  Nonbeing.  Merwin on the other hand has given up completely on that project – there is no longer anything – and he speaks from a kind of radical acceptance of oblivion that allows for a different kind of attention towards this entirely.  It seems Merwin cannot take it anywhere near as seriously as does Levin – or at least takes it seriously in a very different way.  Merwin’s languid acceptance of the whole from this Other place – without judgment or meaningful distinction, but with clear precision and acute awareness – is unmistakeable.  If we listen carefully, he is able to allow us to feel what he hears. Merwin’s resultant attention is effortless, but it is built only after heartbreak and the crumbling of fabrications. This oblivion – this death – is the prolegomena to a sort of transfiguration.

In the first poem of the book, Merwin speaks first of nature, then of human artifact, then says this:

What I thought I had left I kept finding again
but when I went looking for what I thought I remembered
as anyone could have foretold it was not there
when I went away looking for what I had to do
I found that I was living where I was a stranger
but when I retraced my steps the familiar vision
turned opaque and all surface and in the wrong places
and the places where I had been a stranger appeared to me
to be where I had been at home called by name and answering
getting ready to go away and going away

This stanza becomes the pivot by which he introduces us to the vixen who will play the role of portal of transformation later on.  And this entire stanza feels to me like the practice to which Levin invites us.  Confused and confusing – twisted in upon itself in recursion as it attempts to untangle simplicity itself.

Merwin’s journey, in parallel to Levin’s, seems to be about moving through a deeper inquiry from nature into humanity – first of artifice and then of Being.  But Merwin takes us to a place further on – to what I am inclined to call, for want of a better term, the post-human. This quest, the spiritual journey, seems to me to be these days so much about the shriving away of the human in favor of the post-human. In that respect, it seems like death; like a kind of abdication of the movements of mere mortals into passageways that allow one to move between worlds untouched and unmoved in the deepest cores by these passages.  And while this oblivion removes us from concourse with normal human experience, it opens a kind of deeper compassion and engagement that hosts the world in a different way. This oblivion, this calamity, this death, out of which Being itself arises, mocks the very shape and nature of listening and out contextualizes any possible or conceivable context that can be created or imagined. I am a mere novice in this field beyond fields which is not a field  - indeed sometimes I “see” it so very clearly at other times I’m only dimly aware of Oblivion. Yet when I am honest with myself, this Oblivion is my constant companion -it is my original face, it is the sound of one hand clapping, it is mu. And upon it the unbearable lightness of being floats suspended in something that is not anything.  In it Absolute and Relative both arise and disappear.

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PAL. Chapter 23. Wholeness and the creative Life. pp.603-634.

 

Most of what passes as knowledge in people who are reasonable is provisional. Even the most indisputable facts can be disputed on some grounds.

The average person is inclined to accept as true that which is consistent with his beliefs rather than waiting to determine whether the matter is rue or not before ha commits to believe it.

To say a belief is objective is not to say it is true. Only that it is shared by others in a group or community. To say a belief is subjective is not to say it is false, only that it is idiosyncratic and not shared by others. The more idiosyncratic the belief, the more fantastical or incomprehensible the content, the more the belief approaches a delusion – or creative discovery. The more widespread the belief, the greater the consensus, the more belief approaches fact or dogma.

The pursuit of truth must proceed with a suspension of belief and a profession of lack of knowledge. Perhaps this is easier to do in science, which deals with relatively impersonal facts, but not of course when those facts (values) are bound up with the vanity and ambition of the scientist, or when they threaten to undermine another belief system, e.g. evolution and divine creation. A spirit of doubt, uncertainty, openness, even mystery, is essential for discovery.

… it is quite hopeless to change the moral character of someone – much less an army, country, mob – bent on a malevolent undertaking. The greater the disparity in beliefs or values, the less hope of moral conversion. The psychological transformation that is required for such a conversion is not unlike a realignment of faith or a shift in a scientific paradigm.

Perhaps reason does not always prevail in the decisions of a life because a life lived according to reason, or its correlate in strict moral rules, may not be a life worth living. The path laid out by logic, … , may not be the most scenic or interesting. The highway of truth may be a less exciting voyage than the byway of fortune.

Many of the most perceptive of moralists and the most poetical of the philosophers have asked whether the human spirit seeking self-realisation is not tethered to choking by layers of obligation, manners, responsibilities, the oughts of decency and consideration. The fear id that the social and self censure of moral acts will de-nature the spontaneity of non-moral action, e.g. that a habit of self-denial may smother the creative spirit. The artist is particularly sensitive to this concern, for his conduct embraces work and life in a way that is foreign to the average person. The artist more than most must steer a path between the imaginative and the real, self-expression and constraint, the wishful delights, the shackles of convention, and the more unusual and brazen the personality, the more difficult the adjustment.

The ancient idea of a man as an animal tamed by imperial reason is a false description of the human psyche. We have learned from behavioural anthropology and the bloody history of the past century that the most primitive of communities is no less moral than the most advanced culture. Reason can justify good or bad intentions, while magical or syncretic thinking can promote peace and co-operation as much as barbarism. There is no evidence that ancestral societies, given the harsh conditions, are less moral than contemporary ones.

A thoughtful assessment of the architecture of the mind leads to the conclusion that the qualitative shift from unconscious to conscious thought is not a relation of the animal to the rational, but a successive analysis of a non-temporal core into temporal objects. When we descend into the dark night of the soul, we do not find brutal, immoral and murderous impulses, rather a different mode of thinking: paralogic, animism, symbolism, metaphor.

The implementation of an action by character in relation to available choices, and the growth or decline of character in the options that are chosen, are the inheritance of each new instance of self in the recurrence of a living moment. The ancestry of every act is successively realised in each momentary existence. What counts is Now. Past acts do not exist except as a ground for the occurrent state. Yet we do think of a life as a collection of acts, responses, initiatives, that must be taken as a whole.

The microphysics of birth and death that frame a life, a day, a moment, a particle, have their analogy in the resignation and renewal that punctuates the reflective life. Self- realisation is not an accomplishment but a process that must be reasserted and renewed.

Life is the one great idea an individual has that pours itself out onto the pages of daily living, except that the jackets to the book are the fatal limits to its continuation, save for the debt to writers past or readers future – our personal or literary ancestors and descendants – who are illusory bridges to the bound and unbound volumes of innumerable other life stories.

Creativity is volition in service of novelty in which the agent is given over to the involuntary act.

(emphasis mine)

The agent accedes control to the volition that runs through him, not as a voluntary impulse where he is acting as a conscious doer, but as a felt creation of which he is a product.

The ability to assume an attitude of passivity or receptiveness is the essential character of the creative personality. The air of authority or assurance that one sees now and then in creative people is merely an attempt to achieve mastery of the conditions of life so the individual can surrender to the creative impulse. This, incidently, is an important piece of any theory of responsibility. The feeling that an action is one’s own, that it belongs to the self, or emanates from the self, is the basis for responsibility. However, this may occur in the absence of a feeling of agency.

The traction of the past weighs heavily on the freshness of the moment. One wants to shed the familiar garments for the naked sonorities of innocence and awe, feel the power sleeping in the subtle ferocity of words, listen to ancient wisdom, silent, at the throne of magic, possibility.

The conscious mind does not invoke, it edits what unconscious mind has written, which is I believe the direction of thought itself, from obscurity to light.

Authenticity is not found in the assessment of acts “from outside” as a judgement, or in a feeling that action is fluid or that conflict is absent, even if the goal of self-realisation is to be whole in every act. The transition to the concrete is not merely for comfort in acting. The unbroken is sensed by an intuition that is given whole as an immediacy that does not lead to something beyond itself.

Conscience refers to the effort at authenticity in a given act, but the feeling of having lived with authenticity is an intuition that pertains to a lifespan coherence of conduct with character. Self-realisation applies to personality in art, to character in ethics. Character is personality with ego- and exo-centric values at stake.

Knowledge partitions the self into beliefs, values and desires. Each is defined by the distribution of personal and impersonal conceptual feelings.

Experience is shaped in a way that is irreducibly subjective. Intuition is a way of knowing the rightness of action in relation to that experience. Ultimately, intuition and authenticity concern the view from inside, i.e. what a thing or person is.

The standard for intuitive truth is not the correspondence of scientific relations but the coherence or rightness of intrinsic relations.

The greater the depth of intuition, the closer to character or personality, the more resistant to verification. If adequately realised, the contextual relations recur and enclose a succession of nested particulars.

Coherence simply requires a correlation of self-nature with conduct,not good or bad acts. A malicious person may act in a malicious way or perform a good act, but he is no more or less authentic for the choice than a good person who acts well or badly.

Sel-realisation is the completion of existence of all entities, not the satisfaction of a momentary self.

Thus the stability of the self-concept does not owe to an unchanging core that is accessible to conscious thought. It is not a matter of a self that satisfies its desires, but realises the full actuality of the person.

Life is enacted in struggle. In the ordinary life, one adapts as best he can. The life of the genius is the fulfilment of the potential of self through works of art or science in spite of the claims of others. But for the great soul the other is “represented” in the self, and self-realisation is equally a realisation of the other’s needs.

The entity specifies a field in opposition. It defines by way of contrast what it is not by becoming what it is. … The concept of the self as having a subjective and an objective nature entails a contrast or opposition in every act of cognition or self-realisation. However, in the second sense of contrast, every particular that individuates is felt to be opposed not only to what it might have been or to a field of antecedent potential, but to another particular with which it is coordinate or coextensive. … In sum, every object in a perceptual field is a contrast with every other object, especially those adjacent objects (or colours) that form its demarcations. And, every object in the field is opposed to the antecedent ground out of which it individuates.

Though we find duality in every aspect of mind, the dual as an explanatory principle is not itself explained. The contrast of thought and language, or mind and world, is an artificial duality. They are interdependent phases in succession, not co-ordinate oppositions.

Even if truth and falsehood can be construed in a binary manner within a system or language of logic, most things in the world merge into other things, yet we still focus on the extremes, not the transitions. This is a result of the substantialist bias in thought. … The relative deafness or blindness to continua and the predilection for pairs in opposition occurs because the mind is more comfortable with polarities or contrasts than with transitions. The category stabilises the object over a range of transitions, while the transitions themselves are invisible to thought.

One can say, the whole gives way to the parts, which then serve as irreducible wholes for further analysis. No matter how deeply the spectrum is analysed, the termini are categories for analysis and instances in a (prior) category out of which they individuate.

In all forms of perception, we are aware of the objects (categories) the mind produces, not the temporal process (change) through which they arise, nor of the transition form one momentary object or state of the world to the next.

Unity is a dynamic harmony, not a spatial homogeneity. In oneness there is no division, no specification. Once a line is drawn, unity may persist but oneness is broken. A commitment is a loss of possibility. Every act embodies its negation. Something is emptied by the enactment, and defined by the non-act on the far side of its boundaries. … There is no oneness in consciousness, for its essence is the relation of self to image or object, but there is a unity that begins with the duality of parts and wholes, of relata and plenitudes. Oneness is the sought after, the profound but never uncovered primordium from which unity and diversity emerge. This primordial oneness is glimpsed in the recognition of multiplicity or many-in-oneness that leads to an inference of origins in the intuition of an unmarked whole. Self-realisation is the experience of becoming into being as every entity, to exist, strives to become what it is.

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PAL. Chapter 22. The Illusory and the Real. pp.579-602

 

The thought-objects of perception which are presupposed in the common thought of civilised beings, are almost wholly hypothetical. The material universe is largely a concept of the imagination which rests on a slender basis of direct sense-perception. – Whitehead (1932)

All experience has an illusory quality, from a vision of the starry firmament to mathematical objects at the smallest scale. Yet the illusory or phenomenal nature of experience, which is at the heart of many great philosophical systems, escapes the minds of most ordinary people, who live their lives as if the self and world are fully real and material.

Illusion is an endogenous image that carries with it features of a terminal cognition. It appears to be an alteration in an external object because the image is close to full objectification.

Hallucination and illusion are incomplete perceptions, while a perception is a fully exteriorised hallucination, guided by sensory constraints. Admittedly this is an exceptional view of the world. It is not surprising that those who see the world in this way, i.e. as an extension of the mind, are tempted to look for another, more dependable image of the real, such as that of physics or the absolute, or a noumenal world beyond experience.

Illusions are not limited to those we perceive and study, but are found in all aspects of daily life. They include such fictions as object stability in a world of flux, time as linear rather than recurrent, change as an external relation between objects rather than intrinsic to the object formation and being as thing-like rather than a category that enfolds a becoming. On these foundations, the whole edifice of mind develops, and with it, the gap from self to world, the emergence of the present moment and, around it, past and future, and the feeling of intention and desire.

… it takes only a little insight in a spell of vertigo, when the world spins around one’s head, to remind us of the subjectivity of all so-called veridical perceptions.

The partition of experience into subject and object is an important fiction but not the most fundamental. That of substance is deeper, more pervasive and responsible for the illusion of subject and object. The subjective phase of thought lays down the self and its will, the objective phase lays down concrete actualities. The progression to definiteness is an aim to stability. The shift in quality in a progressive individuation is the basis for the division of experience into self and object.

If substance is primary, change is unreal, if relations are primary, substance is illusory. … The distinction of substance and process, or being and becoming, dissolves when substance is conceived as being-as-the-category-of-becoming, and becoming is conceived as process over a temporal extensibility that is framed by a category, and category is conceived as a duration of relations, the awareness of which is obscured for the sake of stability. … The mind chunks experience (Miller, 1956) into things, selves, ideas, propositions, the perceptual and logical solids that articulate and anchor the “all is in flux”.

(emphasis mine)

Reality is different than existence. The concept of reality presumes a match from mind to world. The concept of existence is independent of verification. The non-existent cannot be real, while a thing must first exist in order to be real, so that reality presumes existence.

The truth is in the relation not in the relata.

An acknowledgement of the ambiguity or uncertainty of truth is the first step in their honest pursuit. In fact, ambiguity may inhere in the truth if the dialectic employed in its discovery extends into the truth that is discovered.

The interdependence of all things, and the dependencies within all things, remind us that we are sets of constitutive relations embedded in still larger sets. There is an implication of such observations for moral philosophy, in that the artificiality, tentativeness and transience of autonomy speak against egoism and isolation, and provides a meta-physics that reinforces an ethics of generosity, shared experience and the primacy of community.

(emphasis mine)

… the gradient from doubt to conviction, or from an awareness of a falsehood to certainty in an error is determined not by a relation to fact but by the experiential quality of the object. Coherence, not correspondence is the psychological determinant of belief.

The distinction of the real and the unreal rests on a confusion of categories. It may be a confusion we have to live with, but at least it should be acknowledged.

… real things are hardly what they seem, not because they are misperceived, or because they are shadows or phantoms, but because what we observe, and what we infer behind our observations, are entities modelled on our experience with inner states that are opposed to external events, when the external is not the real world but the final segment of the mind/brain state that objectifies as “reality”.

The duration of the present, the unity of the self, the subject/predicate relation in language, and so on, create illusions that can only be exposed by the most ruthless and uncompromising skepticism.

The real is a covert process of creation that we mirror as spectators or participants. It is not that objects are unreal but that the real in objects is missed and, with it, the groundlessness, i.e. emptiness in the Buddhist sense, of all claims, all entities and all objects of desire.

The distinction of the illusory and the real depends on whether the intrinsic relationality of an object is part of its description. The consequences of a failure to address the dual aspect of objects and of accepting the phenomenal as real, whether in the abrupt sacrifice of a life for the sake of an important belief of the gradual pursuit of a trivial one, is life as if appearances matter. That is not to say that the appearances do not matter, for an object can matter whether or not it is real.

An object is a combination of category and process.

The real lies in the knowledge that all objects consist of a simultaneous being and becoming.

We live with being and becoming, the insubstantiality of process and appearance, the intangibility of relations and categories, yet we must also live as if the categories are necessary and real.

… if all things develop out of value, any attack on intrinsic value is a perversion. Thus the enlightened soul does not seek to import or extend value into the world, but rather, apprehends and strives to enhance a world that is literally shimmering with value in all its objects.

(emphasis mine)

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PAL Chapter 5. A World of Value. pp.147-168

 

…value is drawn into the object as it individuates. … Worth deposits with the object as an expressive feature of the conceptual and affective life. The human mind/brain generates worth through the distribution of affect tonality into the object-field.

The world does not begin outside the skull. If there is a boundary, it is with brain process, not physical entities screened by perceptual images. … Self and object are part of the being of the subject. Value and feeling are the becoming of the object. Being is the momentary category of self and object. Becoming is the process of self-and object-creation on which the category of being depends.

A concept transforms to an object. The self within a subject actualises objects in a world. This world is a realisation of conceptual feeling, the object being the final phase in the objectification of a cycle of process.

All objects in perception, and the derivation that carries them there, constitute the one enormous object that is the world. … The loci of the self, objects and mental contents can be compared to “strange attractors” in a chaos model, which lure feelings to a particular segment of intra or extra psychic space. A given segment attracts affective interest. There is similarity with a hypothesis of “dominant focus” proposed by Kinsbourne (1998). The distribution of feeling in mind and world, or where the value-stream settles in a given state, determines the relative intensity of value-interest for that state, and thus, the nature of self and world for that moment.

An object such as a self or a tree, like the object, brain, is a perception. The inferred entity of a tree, like the entity, brain, is part of physical nature. The mental stream of object rides the same process as the physical stream of entities. The intrinsic value of the former is inaccessible to observation. Feeling is only felt in the subject. Yet, the conceptual feeling in the mind/brain of an observer may “build upon” the physical feeling of the entity corresponding with the object that is perceived.

To ask what is the origin of value in a non-cognitive entity not conceived as a projection of the human mind is to presume a ‘life’ within the entity, and a history independent of human cognition.

Whether an object is a process of modelling, an assembly of elements, a direct perception, a projection, or, as in microgenetic theory, a set of contrasts that sculpt endogenous form, an excitation emanating from a physical entity other than the perceivers brain e.g. a physical rock or another person can only import intrinsic value into its perception by the inheritance in that perception of the physical feelings of entities aroused in an act of cognition. The intrinsic value of entities is not conveyed from the entity by a physical impression e.g. light or sound, but arises, if it does, in the arising of the entity out of the same ground as brain process.

(this speaks to the uncut paper Bonnitta ^)

The search for the self that is so much an expression of the anxiety of our times owes partly to the machine culture in which we live, the problem of identity and, consequently, of authenticity that so dominates life, art and science. But it also derives from the conflict of duty and freedom, especially the realisation that behaviour is adaptive, constrained and delimited by obligations, responsibilities and lack of opportunity.

The self generates values and extends them into the other. Those values generate self and other, which the other, to be regenerated, must reinforce.

(I find much of his treatment of love in this chapter to be somewhat autistic and even a little corrosive for my sensibilities.)

… love is conceptual feeling at depth of personality that engages the self in an exceptional degree of wholeness. The beliefs, experiential memories and values that constitute the self – its dispositions, configurations or neuronal biases – determine the nature of self- and object-worth and account for the equilibrium of commitment and sacrifice that is achieved in the feelings that are exchanged between lovers.

The other is a piece of the self, a satisfaction of its wants, a fragment of its emptiness, split off and embodied in another person. To gove birth and to love a child is a literal expression of this division of feeling, a process replicated covertly in the love of one adult for another.

… art as much as love is a product of the subjects imagination.

Love and art are self-realisations into personal objects or concepts. They differ from other realisations in that an intensity of feeling accompanies an image of great personal value. … The beauty of the beloved is as much an aesthetic creation of the lover as the artwork is a loving creation of the artist.

Self is fully invested in the image of the beloved or the artwork. In love as in art, the outcome – artistic or romantic feeling – is authentic when it reveals the “whole person” at a depth and fullness of personality.

Art is concrete representation of feeling in the imagination, as romantic love “makes real” the felt intensities of loving. In the generation of a loved object or artwork, the content is subordinate to the process. Loving keeps the lover alive, as the artist lives for his art.

The person who is perceived by a lover, like an art object perceived by an aesthete, is a construct in the imagination.

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PAL Chapter 4 – Value in mind and nature. pp.127-143

Kill thy activities and still thy faculties if thou wouldst realise this birth in thee. ~ Meister Eckart.

For process theory, the dynamic in a mental content lies in its immediate prehistory, not its causal surface. The change from one state of mind or world to the next ia a novel becoming or near-replication of the immediately preceding state. Images, thoughts, feelings, objects in perception, do not cause something to occur; they appear, disappear ans are replaced by a subsequent state. The present state may be conceived as the effect of its antecedent, but it is a novel actualisation constrained by the state it replaces. In human mentation, the contents of awareness are actualities or finalities that perish, not solids with causal force. The process of actualisation, not what actualises, is the focus of change in mind and world.

In the actualisation process, mind and world are not parallel endpoints. The self is an intermediate phase in the object, which is an objectification of subjective phases in the mind/brain state.

Idealist philosophies regard the contents of the mind and the objects of perception as the phenomenal derivatives of a covert underlying reality. Concepts and objects, however, are not veils concealing formative process; they are the process that deposits them. Whether an object is conceived as real or phenomenal, there is still a development, a microgenesis or phase transition concealed within its surface form. The pattern of the phase-transition within an object is its reality, whether the unconscious process of the mind or the microphysical process of non-cognitive nature. Fundamental to this line of thought is that common process underlies the multiplicity of forms in nature and the diversity of contents sin human cognition.

More than consciousness, value brings the objectivity of the physical world into relation with human emotion and conceptuality.

To say that human valuation is continuous with value in simple physical entities is to claim that value is grounded in the cosmology of process metaphysics, even if the precursors of value in rocks or particles are far removed from their final manifestation in the human mind. In other words, there is no “bottom up” continuum from the intrinsic value of physical entities to the subjective valuations of human cognition.

The concept of intrinsic value traces to an ancient debate in metaphysics centring on the opposition of the qualitative and quantitative modes of analysis. The tensions in these modes of thought is expressed in cognition in the distinction of the qualitative feel of the inner experience and the quantitative science of objects. The feeling of a qualitative something in the mind that is lacking in physical objects is the basis of the dialectic between subject and object, or between inner experience and outer reality. … What a state is, is its objective existence. What a state feels like, is the dynamic within the state. This contrast at a more fundamental level is that of change and persistence, or the extremes of annihilation and eternalism that delimit the Buddhist middle way.

(P.131 has an important paragraph that is too long to share and not reducible to summary in a coherent manner :( )

… the existence of an entity is its intrinsic value.

Intrinsic value as existence transforms to value as feeling, or from existence as a packet of energy to life as a vector of feeling. At the stage of intrinsic value (existence), the dynamic is a non-directional becoming of process within the being of entity. The temporality of the process within the entity, and the spatiality of the category that constitutes the entity, are different perspectives on the becoming and being that are the entity.

… the duration establishes the entity as an existent, while the process over which the duration extends is a kind of vector. In elementary entities, this is an aim to actuality. In the human mind it is, in addition, a direction from self to world.

In brief, value is the being of an entity, or the being (substantiality) of an object, over the becoming of a momentary category of phases. … This way of thinking allows us to unify the temporality of change with the timelessness of category. Quantity arises in the existence of an entity as its duration actualises. Quality arises in the process through which the entity actualises. Similarly, objectivity, as an external perspective on an object, derives from the solidification of its category. Subjectivity , as the internal ‘perspective’ of the object or entity, derives from the change through which the category is laid down. Yet all entities are fundamentally the same, so the distinction turns on the emphasis of either the categorical (substantial) or transitive (processual) aspect of the same entity.

I would locate the subjective at the point where process is no longer isotropic, i.e. when directionality is crucial to a particular existent. At that point, one could say, energy shifts to feeling as the reversibility of intrinsic process becomes untenable.

The presence of feeling imports realness to the phase sequence.

Feeling as realness is the vitality of lower forms that exist in a mode of sensory experience as it makes contact with the environment. Feeling reaches into the sensory organs and promotes movement in a reflex arc. … As feeling transforms to instinct, the circularity of the sensor-motor contact of organism with environment [...] shifts to a unified act-object. The closed circuit of reflex shifts to a simultaneous construct that is the core of a mental representation. For example, when the frog’s tongue captures a fly, perception and action occur as a unit.

Gradually, the response bias of instinct gives way to the potential of drive. The enhancement of antecedent phases of possibility at the expense of the rigid interlocking sensori-motor dependencies of instinct helps to individuate organism and enlarge its affective repertoire. With the drives – aggression, fear, appetite – there are many routes to satisfaction, the fractionation of drive is the threshold of individuality. The subjectivity of the actualising organism is more emphatic as its objective segment, the perceptual world, is articulated by feelings in objects of interest. Inner and outer worlds are the subjective and objective phases of a single perception. … The next stage transforms this pattern to a mature human cognition.

This occurs through an accentuation at a phase previously bypassed in the immediacy of object actualisation where conceptual primitives invested with drive energy allocate feeling to the merging object-concepts that give rise to perceptual objects. In this phase of conceptual feeling, the affective tonality of object-concepts replaces the object-bound drives with the concept-bound desires. The feeling in a concept replaces the feeling in or for an object.

Feeling is like a river that recurs from a source in the mind to a destination in the world, one moment surging up at a proximal phase, another, cascading downstream, yet all the while, an interior dynamic of a larger object, the mind/brain state, that is constantly pouring out objects.

An account of human perception is critical to the so-called observer error in physics, but is also necessary to bring novel insights to physical theory.

Dividing the length of an electron by the speed of light, Whitrow (1972) defined a chronon as the shortest interval of time, 10 to the minus 24 seconds.

(emphasis mine – interesting factoid ^)

The objective segment of a perception is the world we perceive. The subjective segment is the route through which it gets there and the self that perceives it. The self and experiential memories are laid down in the wake of the object as “deep structures” in its actualisation. The mind/brain state is a wave of process that stretches from the core of the mind to the rim of the world.

The ground of existence is augmented in the feeling of realness, which is then allocated to the proximal or distal polarity of the mind/brain state so as to enhance intrinsic value and realness to desire or worth. Desire is an accentuation of the subjective polarity, worth of the objective polarity. Yet, intrinsic value is the basis on which realness and desire develop as the first stages in the conceptual valuation of the object.

Interest is the qualitative shift in value from realness to worth. The conceptual feeling that is channelled into the object heightens its affective content. The object stands out, signifys something beyond itself. An object of desire that has interest or worth can also be a concept or an idea distinct from the desire for it by the self.

The relative emphasis on a proximal-subjective or distal-objective segment in the mental state determines whether valuation will be felt in the perceiver as desire, or in the object as worth.

To sum up; a perception is a transition over phases leading from self to world. A single transition, an act of cognition, is a mind/brain state. An object includes all of the phases in its development. Basic entities also exist as duration. Intrinsic value is the existence of a physical entity over its phases. The intrinsic value of an entity, or a mind/brain state, is its non-cognitive existence. This is the foundation of its initial subjective valuation as realness. Physical entities exist before they are felt as real. They cannot have the feeling of realness without being existents, even if those existents are hallucinatory or virtual. Realness is the accentuation of existence in organism. The object not only exists, but fells real. As intrinsic value grounds realness, so realness grounds a more developed valuation. … The transition os from intrinsic value (existence) of inorganic entities, as the envelope of their waveform, through the realness of organic life, in which process becomes directional, to the conceptual feeling of human cognition, in which desire and worth precipitate as the affective content of abject-concepts at their subjective and objective polarities.