Tag Archives: Process

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Magellanism

authentic artistic productions
the avant garde…
whisper unconscious koens
subliminal social suggestions
haunting the ready, the restless…
prepares ground
for punctuated emergence

what is this light ???
a cascading series
of erotic creative toggles
which vitalize the preparation
of this special autopoesis
the poetry of our collective dance
becomes obvious
in these special glimpses
of the great remembering

it’s more than the eros
of pursuing the excellent questions,
the loving play and design
of cognitive gifts and exercise…
it’s more than the sacred reverence
of our sanga in practice,
this emergent suchness,
exhibiting delicious blended elements
of both…
ah !!

at this intersection of our experience
a fresh, new, and alive we-ness emerges
mysterious, gorgeous, seductive presentations
the stuff of this new manifestation
the resonance of our fresh social moment
this precious group
this shared new luminance
new containers are formed
already brimming,
with our splendid light

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The Birth of Isaac Babel

a listening homage to Richard Chadek sharing Nicole Krauss – in dialog.

I was there that day; the dark day Isaac Babel was executed. His crime was silence, and they could not bear it – I could not bear it.  He dared to confront us with our own emptiness through his private fascination with his private interiority. For days he would stare at pages of prose and poetry and music. He did nothing.  He made no contribution.  He did not move.  He did not act.  He shuffled through empty pages as though they meant everything.  As though this blankness was all important. People would ask him questions and his silence would only confront them with their own impotent ignorance.  His listening revealed us for who we were.  We hated him for it.

I was glad when they arrested him and tried him and eventually sentenced him to the ultimate silence that he seemed to love so dearly. It seemed fitting to rid this world of one who was so noisy in his quietude.  So I volunteered. I volunteered to shoulder the rifle, to chamber the round, to aim, to feel the pull of the trigger and the recoil in my shoulders as the bullets flew  from the barrels of our guns true and straight into the heart of Isaac Babel.  And then I fled like a wild animal in response to what I had done.

It was only after he was gone that I began to regret something that had gone missing in my life but was now returned. I realized that Isaac Babel had been reborn and resurrected in my own heart in ways I could never imagine.  I was incarnate in a way I had not been before.  I found that his silence was somehow my own silence that had gone so long unrecognized and so disowned.  And while I could not share his dedication to this discipline, neither could I avoid it entirely.  I found I was shrouded in mystery beyond words.

I was lost, but had been reborn – reborn as Isaac Babel.  This was an atonement – a redemption – a revelation.  And in that birth, the emptiness burned away and I found I had traded the darkness of my mind for the Star of the Age.

when you are lost
you climb to the firing range
without a lantern in your life
but the star of the age
and in the bright flash
an emptiness burns away
you trade the darkness of your mind
for the star of the age
surging away from the tower’s embrace
you race like a tiger
relentlessly lashing the days
and leave, in the wake of our wandering lives
the signs we are aging
the houses we drowned in the lake
while the shining world
believes that, inside of days
all the darkness of our lives
will meet the star of the age
while buildings fall
in silence and reverie
among the islands of our minds
among the stars of the age
oh shining world!
where nothing is happening
but what is in our minds:
the swelling stars of the age
but still, my love
the only relieving light
in the spinning darkness of our lives
is when I see you again
in the moonlight
in the starlight
in the sunlight
and I believe it again.

Shearwater, Star of the Age from Animal Life

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Goethe’s Way Of Science. Excerpts and Reflections. 01.

Preface.

[Goethe's] ideas continue to influence science and related areas like the phenomenology of nature and the philosophy of science.

Goethe developed a method to encounter and understand the natural world more directly, intuitively, and intimately. This approach promises much for strengthening our love of nature and for helping us to better care for the natural environment and earth.

Introduction. One phrase that Goethe used to describe his method was delicate empiricism (zarte Empirie) – the effort to understand a thing’s meaning through prolonged empathetic looking and seeing grounded in direct experience.

Goethe argued that, in time, out of commitment, practice, and proper efforts, the student would discover the “ur-phenomenon” … , the essential pattern of process of a thing. Ur – bears the connotation of primordial, basic, elemental, archetypal; the ur-phenomenon may be thought of as the “deep-down-phenomenon”, the essential core of a thing that makes it what it is and what it becomes.

“The highest is to understand that all fact is really theory. The blue of the sky reveals to us the basic law of colour. Search nothing beyond the phenomena, they themselves are the theory.”

 

This aspect of Goethe’s approach resonates with a core drive in me, that is to experience and describe that which gives rise to the phenomena appearing in awareness.

 

Goethe’s approach moves away from the reductionist thinking of positivist science and facilitates an increasing freedom and self-determination both for the researcher and for the thing he or she studies.

In our postmodern time of fragmentation and relativity, we must somehow find ways to bring our thoughts, feelings and actions in harmony with ourselves and with the world in which we live. … In this way perhaps we come to feel more care for the natural world, which answers back with meaning.

 

The approach to phenomenology which Goethe seems to be suggesting promises to bring about a deep experience of being with the ‘thing’ as it is in awareness. He seems to be suggesting that the “object of contemplation”, so to speak, can be approached directly through the senses and will yield its nature to the patient and attuned “observer”.

 

I have decided to “observe” using my hearing, listening and harkening capacities, specifically to two phenomenon. 1) the sounds that arise from deep within my being as life lives in me and expresses itself through sound, and 2) my son’s utterances of the seed syllable “mum” – which I have noticed can be intoned in myriad ways, I plan to pay extra attention to this phenomena as I engage this learning track on Goetheian science!

I hope to describe these sounds using images as well as words, I often experience sounds as vibrant fields of geometric shapes and colours, so I will try to share those observations as clearly as I can.

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PAL. Chapter 23. Wholeness and the creative Life. pp.603-634.

 

Most of what passes as knowledge in people who are reasonable is provisional. Even the most indisputable facts can be disputed on some grounds.

The average person is inclined to accept as true that which is consistent with his beliefs rather than waiting to determine whether the matter is rue or not before ha commits to believe it.

To say a belief is objective is not to say it is true. Only that it is shared by others in a group or community. To say a belief is subjective is not to say it is false, only that it is idiosyncratic and not shared by others. The more idiosyncratic the belief, the more fantastical or incomprehensible the content, the more the belief approaches a delusion – or creative discovery. The more widespread the belief, the greater the consensus, the more belief approaches fact or dogma.

The pursuit of truth must proceed with a suspension of belief and a profession of lack of knowledge. Perhaps this is easier to do in science, which deals with relatively impersonal facts, but not of course when those facts (values) are bound up with the vanity and ambition of the scientist, or when they threaten to undermine another belief system, e.g. evolution and divine creation. A spirit of doubt, uncertainty, openness, even mystery, is essential for discovery.

… it is quite hopeless to change the moral character of someone – much less an army, country, mob – bent on a malevolent undertaking. The greater the disparity in beliefs or values, the less hope of moral conversion. The psychological transformation that is required for such a conversion is not unlike a realignment of faith or a shift in a scientific paradigm.

Perhaps reason does not always prevail in the decisions of a life because a life lived according to reason, or its correlate in strict moral rules, may not be a life worth living. The path laid out by logic, … , may not be the most scenic or interesting. The highway of truth may be a less exciting voyage than the byway of fortune.

Many of the most perceptive of moralists and the most poetical of the philosophers have asked whether the human spirit seeking self-realisation is not tethered to choking by layers of obligation, manners, responsibilities, the oughts of decency and consideration. The fear id that the social and self censure of moral acts will de-nature the spontaneity of non-moral action, e.g. that a habit of self-denial may smother the creative spirit. The artist is particularly sensitive to this concern, for his conduct embraces work and life in a way that is foreign to the average person. The artist more than most must steer a path between the imaginative and the real, self-expression and constraint, the wishful delights, the shackles of convention, and the more unusual and brazen the personality, the more difficult the adjustment.

The ancient idea of a man as an animal tamed by imperial reason is a false description of the human psyche. We have learned from behavioural anthropology and the bloody history of the past century that the most primitive of communities is no less moral than the most advanced culture. Reason can justify good or bad intentions, while magical or syncretic thinking can promote peace and co-operation as much as barbarism. There is no evidence that ancestral societies, given the harsh conditions, are less moral than contemporary ones.

A thoughtful assessment of the architecture of the mind leads to the conclusion that the qualitative shift from unconscious to conscious thought is not a relation of the animal to the rational, but a successive analysis of a non-temporal core into temporal objects. When we descend into the dark night of the soul, we do not find brutal, immoral and murderous impulses, rather a different mode of thinking: paralogic, animism, symbolism, metaphor.

The implementation of an action by character in relation to available choices, and the growth or decline of character in the options that are chosen, are the inheritance of each new instance of self in the recurrence of a living moment. The ancestry of every act is successively realised in each momentary existence. What counts is Now. Past acts do not exist except as a ground for the occurrent state. Yet we do think of a life as a collection of acts, responses, initiatives, that must be taken as a whole.

The microphysics of birth and death that frame a life, a day, a moment, a particle, have their analogy in the resignation and renewal that punctuates the reflective life. Self- realisation is not an accomplishment but a process that must be reasserted and renewed.

Life is the one great idea an individual has that pours itself out onto the pages of daily living, except that the jackets to the book are the fatal limits to its continuation, save for the debt to writers past or readers future – our personal or literary ancestors and descendants – who are illusory bridges to the bound and unbound volumes of innumerable other life stories.

Creativity is volition in service of novelty in which the agent is given over to the involuntary act.

(emphasis mine)

The agent accedes control to the volition that runs through him, not as a voluntary impulse where he is acting as a conscious doer, but as a felt creation of which he is a product.

The ability to assume an attitude of passivity or receptiveness is the essential character of the creative personality. The air of authority or assurance that one sees now and then in creative people is merely an attempt to achieve mastery of the conditions of life so the individual can surrender to the creative impulse. This, incidently, is an important piece of any theory of responsibility. The feeling that an action is one’s own, that it belongs to the self, or emanates from the self, is the basis for responsibility. However, this may occur in the absence of a feeling of agency.

The traction of the past weighs heavily on the freshness of the moment. One wants to shed the familiar garments for the naked sonorities of innocence and awe, feel the power sleeping in the subtle ferocity of words, listen to ancient wisdom, silent, at the throne of magic, possibility.

The conscious mind does not invoke, it edits what unconscious mind has written, which is I believe the direction of thought itself, from obscurity to light.

Authenticity is not found in the assessment of acts “from outside” as a judgement, or in a feeling that action is fluid or that conflict is absent, even if the goal of self-realisation is to be whole in every act. The transition to the concrete is not merely for comfort in acting. The unbroken is sensed by an intuition that is given whole as an immediacy that does not lead to something beyond itself.

Conscience refers to the effort at authenticity in a given act, but the feeling of having lived with authenticity is an intuition that pertains to a lifespan coherence of conduct with character. Self-realisation applies to personality in art, to character in ethics. Character is personality with ego- and exo-centric values at stake.

Knowledge partitions the self into beliefs, values and desires. Each is defined by the distribution of personal and impersonal conceptual feelings.

Experience is shaped in a way that is irreducibly subjective. Intuition is a way of knowing the rightness of action in relation to that experience. Ultimately, intuition and authenticity concern the view from inside, i.e. what a thing or person is.

The standard for intuitive truth is not the correspondence of scientific relations but the coherence or rightness of intrinsic relations.

The greater the depth of intuition, the closer to character or personality, the more resistant to verification. If adequately realised, the contextual relations recur and enclose a succession of nested particulars.

Coherence simply requires a correlation of self-nature with conduct,not good or bad acts. A malicious person may act in a malicious way or perform a good act, but he is no more or less authentic for the choice than a good person who acts well or badly.

Sel-realisation is the completion of existence of all entities, not the satisfaction of a momentary self.

Thus the stability of the self-concept does not owe to an unchanging core that is accessible to conscious thought. It is not a matter of a self that satisfies its desires, but realises the full actuality of the person.

Life is enacted in struggle. In the ordinary life, one adapts as best he can. The life of the genius is the fulfilment of the potential of self through works of art or science in spite of the claims of others. But for the great soul the other is “represented” in the self, and self-realisation is equally a realisation of the other’s needs.

The entity specifies a field in opposition. It defines by way of contrast what it is not by becoming what it is. … The concept of the self as having a subjective and an objective nature entails a contrast or opposition in every act of cognition or self-realisation. However, in the second sense of contrast, every particular that individuates is felt to be opposed not only to what it might have been or to a field of antecedent potential, but to another particular with which it is coordinate or coextensive. … In sum, every object in a perceptual field is a contrast with every other object, especially those adjacent objects (or colours) that form its demarcations. And, every object in the field is opposed to the antecedent ground out of which it individuates.

Though we find duality in every aspect of mind, the dual as an explanatory principle is not itself explained. The contrast of thought and language, or mind and world, is an artificial duality. They are interdependent phases in succession, not co-ordinate oppositions.

Even if truth and falsehood can be construed in a binary manner within a system or language of logic, most things in the world merge into other things, yet we still focus on the extremes, not the transitions. This is a result of the substantialist bias in thought. … The relative deafness or blindness to continua and the predilection for pairs in opposition occurs because the mind is more comfortable with polarities or contrasts than with transitions. The category stabilises the object over a range of transitions, while the transitions themselves are invisible to thought.

One can say, the whole gives way to the parts, which then serve as irreducible wholes for further analysis. No matter how deeply the spectrum is analysed, the termini are categories for analysis and instances in a (prior) category out of which they individuate.

In all forms of perception, we are aware of the objects (categories) the mind produces, not the temporal process (change) through which they arise, nor of the transition form one momentary object or state of the world to the next.

Unity is a dynamic harmony, not a spatial homogeneity. In oneness there is no division, no specification. Once a line is drawn, unity may persist but oneness is broken. A commitment is a loss of possibility. Every act embodies its negation. Something is emptied by the enactment, and defined by the non-act on the far side of its boundaries. … There is no oneness in consciousness, for its essence is the relation of self to image or object, but there is a unity that begins with the duality of parts and wholes, of relata and plenitudes. Oneness is the sought after, the profound but never uncovered primordium from which unity and diversity emerge. This primordial oneness is glimpsed in the recognition of multiplicity or many-in-oneness that leads to an inference of origins in the intuition of an unmarked whole. Self-realisation is the experience of becoming into being as every entity, to exist, strives to become what it is.

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PAL. Chapter 22. The Illusory and the Real. pp.579-602

 

The thought-objects of perception which are presupposed in the common thought of civilised beings, are almost wholly hypothetical. The material universe is largely a concept of the imagination which rests on a slender basis of direct sense-perception. – Whitehead (1932)

All experience has an illusory quality, from a vision of the starry firmament to mathematical objects at the smallest scale. Yet the illusory or phenomenal nature of experience, which is at the heart of many great philosophical systems, escapes the minds of most ordinary people, who live their lives as if the self and world are fully real and material.

Illusion is an endogenous image that carries with it features of a terminal cognition. It appears to be an alteration in an external object because the image is close to full objectification.

Hallucination and illusion are incomplete perceptions, while a perception is a fully exteriorised hallucination, guided by sensory constraints. Admittedly this is an exceptional view of the world. It is not surprising that those who see the world in this way, i.e. as an extension of the mind, are tempted to look for another, more dependable image of the real, such as that of physics or the absolute, or a noumenal world beyond experience.

Illusions are not limited to those we perceive and study, but are found in all aspects of daily life. They include such fictions as object stability in a world of flux, time as linear rather than recurrent, change as an external relation between objects rather than intrinsic to the object formation and being as thing-like rather than a category that enfolds a becoming. On these foundations, the whole edifice of mind develops, and with it, the gap from self to world, the emergence of the present moment and, around it, past and future, and the feeling of intention and desire.

… it takes only a little insight in a spell of vertigo, when the world spins around one’s head, to remind us of the subjectivity of all so-called veridical perceptions.

The partition of experience into subject and object is an important fiction but not the most fundamental. That of substance is deeper, more pervasive and responsible for the illusion of subject and object. The subjective phase of thought lays down the self and its will, the objective phase lays down concrete actualities. The progression to definiteness is an aim to stability. The shift in quality in a progressive individuation is the basis for the division of experience into self and object.

If substance is primary, change is unreal, if relations are primary, substance is illusory. … The distinction of substance and process, or being and becoming, dissolves when substance is conceived as being-as-the-category-of-becoming, and becoming is conceived as process over a temporal extensibility that is framed by a category, and category is conceived as a duration of relations, the awareness of which is obscured for the sake of stability. … The mind chunks experience (Miller, 1956) into things, selves, ideas, propositions, the perceptual and logical solids that articulate and anchor the “all is in flux”.

(emphasis mine)

Reality is different than existence. The concept of reality presumes a match from mind to world. The concept of existence is independent of verification. The non-existent cannot be real, while a thing must first exist in order to be real, so that reality presumes existence.

The truth is in the relation not in the relata.

An acknowledgement of the ambiguity or uncertainty of truth is the first step in their honest pursuit. In fact, ambiguity may inhere in the truth if the dialectic employed in its discovery extends into the truth that is discovered.

The interdependence of all things, and the dependencies within all things, remind us that we are sets of constitutive relations embedded in still larger sets. There is an implication of such observations for moral philosophy, in that the artificiality, tentativeness and transience of autonomy speak against egoism and isolation, and provides a meta-physics that reinforces an ethics of generosity, shared experience and the primacy of community.

(emphasis mine)

… the gradient from doubt to conviction, or from an awareness of a falsehood to certainty in an error is determined not by a relation to fact but by the experiential quality of the object. Coherence, not correspondence is the psychological determinant of belief.

The distinction of the real and the unreal rests on a confusion of categories. It may be a confusion we have to live with, but at least it should be acknowledged.

… real things are hardly what they seem, not because they are misperceived, or because they are shadows or phantoms, but because what we observe, and what we infer behind our observations, are entities modelled on our experience with inner states that are opposed to external events, when the external is not the real world but the final segment of the mind/brain state that objectifies as “reality”.

The duration of the present, the unity of the self, the subject/predicate relation in language, and so on, create illusions that can only be exposed by the most ruthless and uncompromising skepticism.

The real is a covert process of creation that we mirror as spectators or participants. It is not that objects are unreal but that the real in objects is missed and, with it, the groundlessness, i.e. emptiness in the Buddhist sense, of all claims, all entities and all objects of desire.

The distinction of the illusory and the real depends on whether the intrinsic relationality of an object is part of its description. The consequences of a failure to address the dual aspect of objects and of accepting the phenomenal as real, whether in the abrupt sacrifice of a life for the sake of an important belief of the gradual pursuit of a trivial one, is life as if appearances matter. That is not to say that the appearances do not matter, for an object can matter whether or not it is real.

An object is a combination of category and process.

The real lies in the knowledge that all objects consist of a simultaneous being and becoming.

We live with being and becoming, the insubstantiality of process and appearance, the intangibility of relations and categories, yet we must also live as if the categories are necessary and real.

… if all things develop out of value, any attack on intrinsic value is a perversion. Thus the enlightened soul does not seek to import or extend value into the world, but rather, apprehends and strives to enhance a world that is literally shimmering with value in all its objects.

(emphasis mine)

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PAL.Chapter 21. The Moral Dimensions of Aesthetic Experience. pp.554-577

 

Mind is the sole self-intelligible thing, and therefore it is entitled to be considered the fountain of existence. - C.S. Peirce

An ordinary object is an encounter, an artwork is an experience. … Ordinary objects can become works of art when perceived from a certain point of view. The difference is one of emphasis, not kind. How this difference is understood depends on a theory of perception.

The belief in an inner and outer world and the springs of behaviour that stem from such a belief are implicit, covert, and deeply ingrained in the psyche.

Are the neocortical zones the standard model loci of initial processing, or do they mediate endpoints of perception as postulated in microgenetic theory?

For microgenetic theory, the quarrel is with the standard model of perception, not action, for perception is interpreted in the same way as production, as an expressive activity that goes out to the world. … The point is that objects take on aesthetic value not by an addition of psychic qualities, but by an accentuation of those qualities as segments prior to their objectification.

From a temporal standpoint, the object includes, as part of what it is, all the phases traversed in its perception, including the subject. That is, the object “out there” has a microtemporal structure that includes earlier phases that lay down the subject. We speak of subject and object, but to be more precise, they are subjective and objective segments in the same act of cognition.

People are quicker to note differences than similarities. However, instead of demarcating and analysing, one finds if one looks more closely that what appear to be distinct nodes in a category, or separate domains of function, are gradations with indistinct borders that are constantly changing and merging.

Value is the bridge form aesthetics to ethics. Central to the continuum is the concept that value is allocated at different segments and in different proportions to the transition form self to object, from drive and intrapersonal desire as one polarity, to attention, then realness and extrapersonal worth at the other. In the compromise of other-centered self-denial and drive-based egoism, the subjectivity of conceptual feeling, in art or ethics, confronts the objectivity of custom and/or approval.

A perception is an adaptive model of the world. The stability of this model is due to its recurrence.

The object is more alive when the life of the artist or observer is engaged.

The timeless objects of aesthetic contemplation become actual through the observers emotions and ideas, while the living things that have our moral attention incite a timeless obligation to protect and trust.

The saint embodies in his acts the ideal of goodness, genius embodies in its works the ideal of beauty. In art, self-realisation trumps obligation, in ethics, in the saintly or compassionate person, they are aligned.

Language tends to fractionate feeling and dispel it over time, art concentrates feeling with greater immediacy. Unlike art, which has been increasingly liberated from mimicry, even tradition and communicability, language cannot escape realism without becoming incoherent or ejaculato.

The attribution of mentality to an artwork or natural object, i.e. the presence in the object of the creative power of a genius or a god, is a species of animistic thought, but it is the first step in a transition from aesthetic to moral concepts.

In that beauty is contemplative and goodness is instrumental, the relation of beauty to morality is like that of perceptual commitment to conceptual obligation. In this respect, there is a comparison of philosophy to life, or theory to behaviour, which is the relation of thought to action, choice to decision, need to satisfaction.

Universality is sameness over difference, in space, time or context. However there are no exact repeatables. Each entity individuates a relational whole, so supra-ordinate or categorical universals are as fictitious as isolated particulars. The idea of an absolute repeatable is motivated by a desire to introduce conceptual stability into a world of change.

The enduring self in relation to the succession of acts is a relation of a category to instance, perhaps it is even the nucleus of the idea of universal and particular.

The concept of a generic category opposed to a particular instance arises as a whole/part relation in time consciousness. The temporal incrementation of spatial wholes, or the elaboration of succession out of simultaneity, is the creation of time order out of non-temporal wholes.

… consistent with the microgenetic account of the sculpting that occurs in every act of cognition. The process of specification leaves the category behind as the part individuates.

The relation of the good to good and bad acts, like that of perfection to genius or corruption, is also a relation of the ‘timeless’ to the temporal.

A population is not involuntarily subjugated by rulers that arise within its ranks. Its beliefs and values create the conditions in which the corruption and oppression flourish.

Ultimately, ethics and aesthetics fuse in a life of self-realisation. What is at stake is authenticity of character.

Microgenetic theory is the basis of an account of ethical conduct and aesthetic feeling in the recurrent specification of acts and objects out of the self, i.e. as self-realisations of character and personality. … The starting point is the description of the mind/brain as a process of self-realisation.

From a process standpoint, art and conduct move from subjective wholes to objective parts. In both, the subject feels the centrality of personal value and motivation. However, the subjective is revived in recreating an artwork, which is vetted fro its power to induce this revival in others and the depth of feeling evoked. Conduct is also vetted by those who revive the act in the imagination according to their valuations, but unlike an artwork, conduct is not revived concretely, only a judgement of its context and consequences. This leads to external judgements in conduct, internal ones in art.

 

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PAL. Chapter 15. Moral Conflict. pp.407-430

 

From an external standpoint, an obligation is independent of what the subject wants to do, but for the subject, there is no felt obligation if it is concordant with his desire. When the ought and the want coincide, the ought drops out. The conflict between the ought and the want is part of the sense of obligation, which is the feeling that one should or must do something for the self or for another person that is contrary to one’s desires.

The ‘good’ thing to do may be consistent with character, but it may not be the ‘right’ thing to do. The good is centered in character, the right in conduct. The good is closer to intentions, the right to outcomes. If the immediate outcome is good, and its subsequent repercussions bad, the decision might have been good, i.e. based on good intentions, yet the action might have been wrongly chosen. In contrast, a decision based on value stems from character. It is what is considered the right and natural thing to do regardless of the outcome, regardless of whether it is “objectively right”, assuming that could be determined at the time of the action.

If the moral logic of a computer could be programmed in advance with a hierarchy of valuations, and could calculate the probability of the most favourable outcome rather than the antecedents of choice, motivation or personal repercussion, would this help the individual decide what to do? And does this mode of thought have anything in common with human cognition?

… from a biological point of view, the prospective direction of responsibility to a child, which is the forward direction of evolution, outweighs the retrospective direction to parents, who are irrelevant from an evolutionary, i.e. reproductive, standpoint.

If moral statements are neither true nor false, true statements do not lead to moral obligations. A statement of truth is itself al kind of action, a verbal act, and does not lead to another motor or verbal action. Action is not the outcome of truth, but a means to clarify uncertainty. It aids in the closure on indecision. In this respect, an action is itself a test of the truth of a statement, thus it is a kind of truth, or a search for truth. One could also say that the finality, irrevocability and definiteness of an action add a new truth to what previously existed.

There is much to be said for the notion that the most fundamental facts are errors that enjoy their truth from the limits of our capacity to refute them. Science attempts to test a belief for its truth, though a profound truth, as Niels Bohr once remarked, may not contrast with an error or a falsehood but with another profound truth.

Subjectivism is neither impersonal nor egocentric. Social adaptation sees to that. Impersonality is achieved, not by objectivity or rationality, but through empathy, self-denial and acts of “imaginative fusion”.

Morality is, finally, an obligation to one’s ideal self or the best of one’s character.

Logical arguments are an uncertain guide to the thought process, as are the choices that emerge from them. We tend not to sound a position too deeply or rationally, but rather take it on a ‘gut’ feeling and then seek arguments to support it. William James wrote that philosophy is more a matter of passionate vision than reason, the reason coming afterwards as a justification.

… the masses absorb and tacitly condone the values responsible for their own shame or subjugation.

The obligations of convention have the force of moral duties precisely because they are internalised in character, even if they are independent of knowledge or agency at the time the action occurs. …

A person is ultimately responsible for his own character regardless of the choices available when he acts, and he should be held accountable for that character even if he denies responsibility.

Self-examination involves a scrutiny, so far as possible, of the unconscious values driving conduct. The goal of a moral education is to instil values that are life enhancing and humanitarian, that preserve individualism and at the same time enlarge the self-concept with other-directed concerns.

A desire is intentional. The self is antecedent to and directed toward an object. Desire is the feeling of a relation of need or want that is directed from the self toward an object or to the concept of the object. … An obligation differs from a desire in having the self for its object. The self feels an obligation, but it is the self that is obligated. The object of the obligation is not the action the self is obliged to perform, but is directed to the self.

Desire and obligation arise in the self, but their actualisation-bias has a different course. Desire corresponds to the agentive or voluntary feeling of an action, obligation to the passive or receptive feeling of a perception. … A loyalty is some combination of the two, namely an obligation that feels like a desire, in which the self has a commitment to the obligation. In loyalty, the self feels as much an agent as an object.

 

The compulsion of obligation is linked to an external, perceptual and impersonal object. The agency of loyalty is linked to an internal, active and personal act. This reflects a bias to perceptions that exteriorise and become independent, or a bias to actions that are self-realisations.

There is a continuous transition in the feeling of outer and inner in relation to the structure of agency, from enforced to compassion, from obligation to desire, from the duty to serve out of necessity to the wish to please out of love. The ought becomes the want as extrinsic constraints on egoism internalise as voluntary commitments.

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Chapter 12. The Ideal. pp.335-358

 

The notion of completion comes from the possibility of realising the ideal. If one could, in principle, see an artwork of perfect beauty or an act of perfect goodness, one could say, “There, that is a manifestation of the ideal.”

On possible source of the ideal is the evolutionary thrust of will. But positing the will as the engine of the world and the urge to actuality does not explain a striving to betterment that is linked to renewal and rebirth.

The ideal is not achievable because the final event that either shatters the perfection of the ideal, attempts to fulfill another ideal, or abandons the path of idealisation. Process does not end in ideal categories, it begins with them and ends with involution, the cessation of prior nature and the assumption of novel form.

With the ideal, it comes down to a desire for that which is the opposite of the most critical features of life, that is, for absolute spirituality or divinity and an unchanging, imperishable, timeless unity. These characteristics of the ideal are all linked to the idea of perfection, while the idea of perfection or the existence of perfection is linked to that of deity (Hartsthorne, 1962). If perfection goes out the window, as it should, the ideal, which is an aim without a paradigm, goes with it.

Life proliferates into every conceivable niche, until mind itself becomes the adaptive ground of change. There is evolutionary pressure towards increasing intelligence, and this may be a sufficient explanation for the evolution of more complex organisms, but random variation leaves out the lawfulness or regularity of the process through which advance occurs.

Metaphysical though attempts to resolve human conception with physical nature. Yet all categories, whether historical or spontaneous, by virtue of being categories, i.e. having generic properties without a specific content, are subjective, immutable and timeless. It is the nature of a category that it is described in such a way. So long as the category does not individuate it retains properties of the ideal.

This tendency to betterment is the natural bias of process. It could account for the evolution of forms that create environments for novel adaptations. But the tendency need not be reified to a goal.

The presence of the earlier in the later, even in the most basic entities, where what comes before is part of what comes after, can be construed as a kind of memory. Similarly, but more clearly the basis of memory, unconscious configurations in the mental state are conveyed into conscious conception.

The becoming of a thing, its life force, is a change over some duration. However, until a cycle of change terminates to reproduce a moment in the existence of the thing, the thing does not yet exist and is non-temporal. The completion of the becoming gives the thing its being.

As the font of the actual, the category is asked to do the impossible, namely, deliver a temporal existent out of a timeless non-existent, or shift from being to becoming, or create something out of nothing. But this is a transition from simultaneity to succession, the transition laying down the time series.

The many events in consciousness appear to change at different rates, and this is a problem for an association of time with change. However the change that matters is the laying down of the temporal order of mind/brain states, in which the multiplicity of events in consciousness are all partitions of the one event of the conscious state.

The ideal satisfies less an objective standard than an artistic potential.

A mark of genius is that even when the ideal is fully probed we feel the mystery of untapped possibility in wonder or profundity,

As the purely objective runs up against the totality of mind, the purely subjective in encumbered with facts in need of explanation. Yet a focus on objects is not the same as an objective focus. Subjectivity is ubiquitous. We live in mentality. Objects are the final reach of the subjective.

Categories can be interpreted in terms of prototypes, cores or ‘essences’ or, what might amount to the same thing, the average of the properties of related particulars. The prototype is a sample in the category that prioritises representative features.

… the core features of a category are what survive after the unique ones are canceled by overlapping perspectives. The core features that are common to all members constitute the essence of the category. The category expands ‘upwards’ or ‘downwards’, and can arise spontaneously.

The core self is also beneath introspective access. Once an ‘I’ individuates, the background is lost. The ‘I’ takes on direction, orientation, a disposition or bias to action, belief and value. The direction is the momentary person that issues from the core. The core is part of the archetypal world, the ‘I’, the world of prototypes.

(emphasis mine)

Only rarely in life or in art does one feel that an act, all at once or over time, satisfies its intuitive wholeness.

The essential character of the self is not immune to extreme circumstance, stress, hypnosis, brain damage, and so on. The self does not survive a loss of its objects. The self, merely to exist, must specify a world. The world collapses if the self fails to individuate. Conversely, for the world to exist requires a self at its foundation. Put simply, the world disappears if it is split off from the self, and the self dissolves if it is cut off from the world.

Mind is self-conscious nature, or nature in an act of self-perception.

From the standpoint of nature, the multiplicity of selves creates an infinitude of perspectives that can observe and contemplate the world-soul out of which they originate. Each perspective becomes an eternal past that leaves nature continuously enlarged. Objects perish, as we do, in nature’s drive to novelty, but they remain through us a part of natures mind.

In any event there is no concrete individual, no substance or intrinsic essence that persists in spite of change, there is only change and the stabilities that are its manifestations, for change itself, or transition, is imperceptible.

Unreality is not reality mistakenly characterised, for this would assume the possibility of a knowledge and correct characterisation of the real, when it is the categories that are real, whether they are mistakenly characterised or not. A reality correctly characterised is still a mode of categorisation, though one can quibble as to which mode is “more real” than others. Cognition does not merely impose its categories on nature, but expresses the pattern of a nature that is intrinsically categorical.

Basically the real is a feeling and a judgment… The former depends on coherence, the latter on correspondence, but the ultimately real is categorical irrespective of what it corresponds to.

Is a particular more or less real than its antecedents? An object does not exist without the concepts behind it and its supportive physiology. The concept is as real as the object, yet both are mental phenomena. An object is a collection of replications in duration. To which replication of the object do we assign reality? In a given replication, the object is delimited out of memory. Perception is the objectified tip of reminiscence.

(emphasis mine)

To put existence before reality is to avoid a definition of what it means to be real, other than the circularity of to exist is to be real, and to be real is to exist.

The real in feeling and judgment has a personal and impersonal interpretation, but existence cuts across the subject/object boundary.

We think of existence as a pattern of becoming that fills the temporal extent or duration of an entity.

Even if we could demonstrate the neural correlates of an act of cognition, all we would have is the correlates, not the cognition.

One can say, thinking is going on, feeling is going on, perceiving is going on, and then ask, how do ‘I’, how does the self, arise at the foundation of thinking, and how do concepts or objects arise at its terminus.