Tag Archives: state

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Magellanism

authentic artistic productions
the avant garde…
whisper unconscious koens
subliminal social suggestions
haunting the ready, the restless…
prepares ground
for punctuated emergence

what is this light ???
a cascading series
of erotic creative toggles
which vitalize the preparation
of this special autopoesis
the poetry of our collective dance
becomes obvious
in these special glimpses
of the great remembering

it’s more than the eros
of pursuing the excellent questions,
the loving play and design
of cognitive gifts and exercise…
it’s more than the sacred reverence
of our sanga in practice,
this emergent suchness,
exhibiting delicious blended elements
of both…
ah !!

at this intersection of our experience
a fresh, new, and alive we-ness emerges
mysterious, gorgeous, seductive presentations
the stuff of this new manifestation
the resonance of our fresh social moment
this precious group
this shared new luminance
new containers are formed
already brimming,
with our splendid light

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GD. Goethean Experimental Observations for 12/06/2012

(noticing the phenomena of sounds arising from within);

Prelude: I have relocated to a big old house near the beach, with a forest across the road. To honour the occasion, we had a fire ceremony at the beach on the evening of the 12th June. After enjoying the beautiful starlit evening we returned to the house, after I have settled my son I settle into sitting meditation on the mat in front of the altar.

I sound the singing bowl, chant Aum and then sit with my double dorje in my hands, contemplating the energetic nexus that it represents, and creatively imagining the dynamic structure which it represents the underpinnings of.

 

I begin to feel the arising of kundalini shakti, gently undulating through my subtle energetic system and up my spine, out through the top of my head with a tingling sensation and into the familiar fountain-like pattern of return to the overflowing pool at the base chakra where the flow continues up the central channel and back out my head. After sitting like this for some time I feel the need to surrender into savasana (corpse pose) however I am also feeling chilled as it is mid winter so I take my body to bed and continue my meditation there.

At this point my body begins to tremble and shake, to vibrate from a deep-down-phenomenon of silent sound arising in the very core of every atom and cell. I note my heart rate increasing, and breathing deepening and lengthening. I am surrendered, all action taking place now is spontaneously arising of its own accord, I am remaining in lucid awareness and observing.

With the deepening of the breath I note an expansion of the abdomen, accompanied by deep creaking and groaning sounds, my chest and throat are also expanding to the sounds of cartilage creaking. My vertebrae are aligning and stretching apart. From a place deep within my skull a secretion of cool, sweet liquid begins to flow into my throat and upper nasal passages. This flow of (?) seems to precipitate an intensification of the phenomenon.

 

I begin to feel pressure stretching me from the inside like a balloon being filled, the air flowing into my lungs seems to penetrate every organ, membrane and cell of my physical body beyond their capacity to contain it in their present shape. I feel like I am being tickled from within, I am laughing intermittently and potent “chemical” tears are streaming from my eyes. My hands move to hover over my sacral and solar plexus chakras, the hands are moving in rapid circles counter rotational to each other, the chakras feel like ‘solid’ balls of whirling energy. The trembling in my body intensifies, my heart rate is still accelerating and my breathing seems to have stopped at a full in-breath. Part of my mind is cautioning me about the possibility of having a heart attack or brain anurism because of the unusual conditions. I consciously make the decision to surrender and trust the experience, even if it means I do in fact die as a result (!).

At this point an impossibly bright yet cool light erupts in both my heart and head (witnessed in the third eye) which expands out to include my whole body. Now all my physical bodily components seem to completely liquify, there is a sensation of dissolving and (hard to describe what) I imagine being like a chrysalis undergoing the metamorphic process. The level of inner sound which is accompanying this event is tremendous yet also very difficult to describe, something like a howling storm perhaps (I will try to find an approximation on mp3 somewhere). My inner eye is registering myriad complex fluidic geometric structures dynamically interacting and energised by seemingly liquid light throughout my field of awareness, all emanating from the core of my being. My physical body feels like it is a writhing mass of system interactions from the cellular level through to the level of organs, tissues and bones. This is a full spectrum immersive experience of something extraordinary!

The complex “body of light” which it appears to my inner eye that I have become is expanding to fill the room, expanding out across the forest, across the ocean and encompassing the whole planet, the expansion continues, waves of energetic intensification continue, I now contain the whole galaxy, and continue to expand and absorb greater and greater spheres of (?) perhaps awareness of consciousness – I am the universal essence in all its forms for a ‘moment’ – it is almost totally overwhelming. I am not breathing and my heart seems to be stuck on full throttle.

Sound begins to emit from my expansive throat, a deep moaning nameless sound. The observational part of my mind is still restless and registering cautions about the possibilities of damage to the physical vehicle. I decide that I need to ‘ground’ the experience and that I can Aum with it as a means of fully embodying that which is flowing through me (rather than becoming fully disembodied by its raw power). So I begin to Aum, low and deep into the lower chakra triad, and then a higher tone, into the heart, and higher again into the upper chakra triad. I slowly begin to reintegrate and re-inhabit my physical vehicle. The toning is re-establishing a breathing rhythm, my heart rate begins to decelerate somewhat.

I find myself glowing and buzzing, it is as if I have just been born, My body feels like a fresh new organism, weightless for a while, tingling and throbbing with light and sound – I seem to be in psychic contact with every mind I have ever contacted, all of you are right here with me, I hear your voices and feel you in me. We are all connected to this vast and fathomless energy source which is still flowing through me, as me (and everything and everyone). My subtle sensitivities appear to have been enhanced, yet so has my capacity to accept being in such a state.

At the time of writing, 5 days later, I am still in this ‘renewed’ state. Speaking with the Goethe track group (16/06/2012) helped me ground the experience a bit more, thank God for these eminently qualified comrades. Many of the images which have sprung unbidden to my mind over the last 20 years are now relating to each other in my mind in ways that they have not done before – so many symbols of a pre-cognised experience which only now is unfolding – the whole concept of time and space is so plastic. And underpinning the whole experiential context – the sound which arises from within – what a revelation.

Conclusion: No amount of theory can adequately describe a knowing which only direct experience can deliver.

The lucid contemplative reflections continue….

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PAL. Chapter 23. Wholeness and the creative Life. pp.603-634.

 

Most of what passes as knowledge in people who are reasonable is provisional. Even the most indisputable facts can be disputed on some grounds.

The average person is inclined to accept as true that which is consistent with his beliefs rather than waiting to determine whether the matter is rue or not before ha commits to believe it.

To say a belief is objective is not to say it is true. Only that it is shared by others in a group or community. To say a belief is subjective is not to say it is false, only that it is idiosyncratic and not shared by others. The more idiosyncratic the belief, the more fantastical or incomprehensible the content, the more the belief approaches a delusion – or creative discovery. The more widespread the belief, the greater the consensus, the more belief approaches fact or dogma.

The pursuit of truth must proceed with a suspension of belief and a profession of lack of knowledge. Perhaps this is easier to do in science, which deals with relatively impersonal facts, but not of course when those facts (values) are bound up with the vanity and ambition of the scientist, or when they threaten to undermine another belief system, e.g. evolution and divine creation. A spirit of doubt, uncertainty, openness, even mystery, is essential for discovery.

… it is quite hopeless to change the moral character of someone – much less an army, country, mob – bent on a malevolent undertaking. The greater the disparity in beliefs or values, the less hope of moral conversion. The psychological transformation that is required for such a conversion is not unlike a realignment of faith or a shift in a scientific paradigm.

Perhaps reason does not always prevail in the decisions of a life because a life lived according to reason, or its correlate in strict moral rules, may not be a life worth living. The path laid out by logic, … , may not be the most scenic or interesting. The highway of truth may be a less exciting voyage than the byway of fortune.

Many of the most perceptive of moralists and the most poetical of the philosophers have asked whether the human spirit seeking self-realisation is not tethered to choking by layers of obligation, manners, responsibilities, the oughts of decency and consideration. The fear id that the social and self censure of moral acts will de-nature the spontaneity of non-moral action, e.g. that a habit of self-denial may smother the creative spirit. The artist is particularly sensitive to this concern, for his conduct embraces work and life in a way that is foreign to the average person. The artist more than most must steer a path between the imaginative and the real, self-expression and constraint, the wishful delights, the shackles of convention, and the more unusual and brazen the personality, the more difficult the adjustment.

The ancient idea of a man as an animal tamed by imperial reason is a false description of the human psyche. We have learned from behavioural anthropology and the bloody history of the past century that the most primitive of communities is no less moral than the most advanced culture. Reason can justify good or bad intentions, while magical or syncretic thinking can promote peace and co-operation as much as barbarism. There is no evidence that ancestral societies, given the harsh conditions, are less moral than contemporary ones.

A thoughtful assessment of the architecture of the mind leads to the conclusion that the qualitative shift from unconscious to conscious thought is not a relation of the animal to the rational, but a successive analysis of a non-temporal core into temporal objects. When we descend into the dark night of the soul, we do not find brutal, immoral and murderous impulses, rather a different mode of thinking: paralogic, animism, symbolism, metaphor.

The implementation of an action by character in relation to available choices, and the growth or decline of character in the options that are chosen, are the inheritance of each new instance of self in the recurrence of a living moment. The ancestry of every act is successively realised in each momentary existence. What counts is Now. Past acts do not exist except as a ground for the occurrent state. Yet we do think of a life as a collection of acts, responses, initiatives, that must be taken as a whole.

The microphysics of birth and death that frame a life, a day, a moment, a particle, have their analogy in the resignation and renewal that punctuates the reflective life. Self- realisation is not an accomplishment but a process that must be reasserted and renewed.

Life is the one great idea an individual has that pours itself out onto the pages of daily living, except that the jackets to the book are the fatal limits to its continuation, save for the debt to writers past or readers future – our personal or literary ancestors and descendants – who are illusory bridges to the bound and unbound volumes of innumerable other life stories.

Creativity is volition in service of novelty in which the agent is given over to the involuntary act.

(emphasis mine)

The agent accedes control to the volition that runs through him, not as a voluntary impulse where he is acting as a conscious doer, but as a felt creation of which he is a product.

The ability to assume an attitude of passivity or receptiveness is the essential character of the creative personality. The air of authority or assurance that one sees now and then in creative people is merely an attempt to achieve mastery of the conditions of life so the individual can surrender to the creative impulse. This, incidently, is an important piece of any theory of responsibility. The feeling that an action is one’s own, that it belongs to the self, or emanates from the self, is the basis for responsibility. However, this may occur in the absence of a feeling of agency.

The traction of the past weighs heavily on the freshness of the moment. One wants to shed the familiar garments for the naked sonorities of innocence and awe, feel the power sleeping in the subtle ferocity of words, listen to ancient wisdom, silent, at the throne of magic, possibility.

The conscious mind does not invoke, it edits what unconscious mind has written, which is I believe the direction of thought itself, from obscurity to light.

Authenticity is not found in the assessment of acts “from outside” as a judgement, or in a feeling that action is fluid or that conflict is absent, even if the goal of self-realisation is to be whole in every act. The transition to the concrete is not merely for comfort in acting. The unbroken is sensed by an intuition that is given whole as an immediacy that does not lead to something beyond itself.

Conscience refers to the effort at authenticity in a given act, but the feeling of having lived with authenticity is an intuition that pertains to a lifespan coherence of conduct with character. Self-realisation applies to personality in art, to character in ethics. Character is personality with ego- and exo-centric values at stake.

Knowledge partitions the self into beliefs, values and desires. Each is defined by the distribution of personal and impersonal conceptual feelings.

Experience is shaped in a way that is irreducibly subjective. Intuition is a way of knowing the rightness of action in relation to that experience. Ultimately, intuition and authenticity concern the view from inside, i.e. what a thing or person is.

The standard for intuitive truth is not the correspondence of scientific relations but the coherence or rightness of intrinsic relations.

The greater the depth of intuition, the closer to character or personality, the more resistant to verification. If adequately realised, the contextual relations recur and enclose a succession of nested particulars.

Coherence simply requires a correlation of self-nature with conduct,not good or bad acts. A malicious person may act in a malicious way or perform a good act, but he is no more or less authentic for the choice than a good person who acts well or badly.

Sel-realisation is the completion of existence of all entities, not the satisfaction of a momentary self.

Thus the stability of the self-concept does not owe to an unchanging core that is accessible to conscious thought. It is not a matter of a self that satisfies its desires, but realises the full actuality of the person.

Life is enacted in struggle. In the ordinary life, one adapts as best he can. The life of the genius is the fulfilment of the potential of self through works of art or science in spite of the claims of others. But for the great soul the other is “represented” in the self, and self-realisation is equally a realisation of the other’s needs.

The entity specifies a field in opposition. It defines by way of contrast what it is not by becoming what it is. … The concept of the self as having a subjective and an objective nature entails a contrast or opposition in every act of cognition or self-realisation. However, in the second sense of contrast, every particular that individuates is felt to be opposed not only to what it might have been or to a field of antecedent potential, but to another particular with which it is coordinate or coextensive. … In sum, every object in a perceptual field is a contrast with every other object, especially those adjacent objects (or colours) that form its demarcations. And, every object in the field is opposed to the antecedent ground out of which it individuates.

Though we find duality in every aspect of mind, the dual as an explanatory principle is not itself explained. The contrast of thought and language, or mind and world, is an artificial duality. They are interdependent phases in succession, not co-ordinate oppositions.

Even if truth and falsehood can be construed in a binary manner within a system or language of logic, most things in the world merge into other things, yet we still focus on the extremes, not the transitions. This is a result of the substantialist bias in thought. … The relative deafness or blindness to continua and the predilection for pairs in opposition occurs because the mind is more comfortable with polarities or contrasts than with transitions. The category stabilises the object over a range of transitions, while the transitions themselves are invisible to thought.

One can say, the whole gives way to the parts, which then serve as irreducible wholes for further analysis. No matter how deeply the spectrum is analysed, the termini are categories for analysis and instances in a (prior) category out of which they individuate.

In all forms of perception, we are aware of the objects (categories) the mind produces, not the temporal process (change) through which they arise, nor of the transition form one momentary object or state of the world to the next.

Unity is a dynamic harmony, not a spatial homogeneity. In oneness there is no division, no specification. Once a line is drawn, unity may persist but oneness is broken. A commitment is a loss of possibility. Every act embodies its negation. Something is emptied by the enactment, and defined by the non-act on the far side of its boundaries. … There is no oneness in consciousness, for its essence is the relation of self to image or object, but there is a unity that begins with the duality of parts and wholes, of relata and plenitudes. Oneness is the sought after, the profound but never uncovered primordium from which unity and diversity emerge. This primordial oneness is glimpsed in the recognition of multiplicity or many-in-oneness that leads to an inference of origins in the intuition of an unmarked whole. Self-realisation is the experience of becoming into being as every entity, to exist, strives to become what it is.

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PAL. Chapter 22. The Illusory and the Real. pp.579-602

 

The thought-objects of perception which are presupposed in the common thought of civilised beings, are almost wholly hypothetical. The material universe is largely a concept of the imagination which rests on a slender basis of direct sense-perception. – Whitehead (1932)

All experience has an illusory quality, from a vision of the starry firmament to mathematical objects at the smallest scale. Yet the illusory or phenomenal nature of experience, which is at the heart of many great philosophical systems, escapes the minds of most ordinary people, who live their lives as if the self and world are fully real and material.

Illusion is an endogenous image that carries with it features of a terminal cognition. It appears to be an alteration in an external object because the image is close to full objectification.

Hallucination and illusion are incomplete perceptions, while a perception is a fully exteriorised hallucination, guided by sensory constraints. Admittedly this is an exceptional view of the world. It is not surprising that those who see the world in this way, i.e. as an extension of the mind, are tempted to look for another, more dependable image of the real, such as that of physics or the absolute, or a noumenal world beyond experience.

Illusions are not limited to those we perceive and study, but are found in all aspects of daily life. They include such fictions as object stability in a world of flux, time as linear rather than recurrent, change as an external relation between objects rather than intrinsic to the object formation and being as thing-like rather than a category that enfolds a becoming. On these foundations, the whole edifice of mind develops, and with it, the gap from self to world, the emergence of the present moment and, around it, past and future, and the feeling of intention and desire.

… it takes only a little insight in a spell of vertigo, when the world spins around one’s head, to remind us of the subjectivity of all so-called veridical perceptions.

The partition of experience into subject and object is an important fiction but not the most fundamental. That of substance is deeper, more pervasive and responsible for the illusion of subject and object. The subjective phase of thought lays down the self and its will, the objective phase lays down concrete actualities. The progression to definiteness is an aim to stability. The shift in quality in a progressive individuation is the basis for the division of experience into self and object.

If substance is primary, change is unreal, if relations are primary, substance is illusory. … The distinction of substance and process, or being and becoming, dissolves when substance is conceived as being-as-the-category-of-becoming, and becoming is conceived as process over a temporal extensibility that is framed by a category, and category is conceived as a duration of relations, the awareness of which is obscured for the sake of stability. … The mind chunks experience (Miller, 1956) into things, selves, ideas, propositions, the perceptual and logical solids that articulate and anchor the “all is in flux”.

(emphasis mine)

Reality is different than existence. The concept of reality presumes a match from mind to world. The concept of existence is independent of verification. The non-existent cannot be real, while a thing must first exist in order to be real, so that reality presumes existence.

The truth is in the relation not in the relata.

An acknowledgement of the ambiguity or uncertainty of truth is the first step in their honest pursuit. In fact, ambiguity may inhere in the truth if the dialectic employed in its discovery extends into the truth that is discovered.

The interdependence of all things, and the dependencies within all things, remind us that we are sets of constitutive relations embedded in still larger sets. There is an implication of such observations for moral philosophy, in that the artificiality, tentativeness and transience of autonomy speak against egoism and isolation, and provides a meta-physics that reinforces an ethics of generosity, shared experience and the primacy of community.

(emphasis mine)

… the gradient from doubt to conviction, or from an awareness of a falsehood to certainty in an error is determined not by a relation to fact but by the experiential quality of the object. Coherence, not correspondence is the psychological determinant of belief.

The distinction of the real and the unreal rests on a confusion of categories. It may be a confusion we have to live with, but at least it should be acknowledged.

… real things are hardly what they seem, not because they are misperceived, or because they are shadows or phantoms, but because what we observe, and what we infer behind our observations, are entities modelled on our experience with inner states that are opposed to external events, when the external is not the real world but the final segment of the mind/brain state that objectifies as “reality”.

The duration of the present, the unity of the self, the subject/predicate relation in language, and so on, create illusions that can only be exposed by the most ruthless and uncompromising skepticism.

The real is a covert process of creation that we mirror as spectators or participants. It is not that objects are unreal but that the real in objects is missed and, with it, the groundlessness, i.e. emptiness in the Buddhist sense, of all claims, all entities and all objects of desire.

The distinction of the illusory and the real depends on whether the intrinsic relationality of an object is part of its description. The consequences of a failure to address the dual aspect of objects and of accepting the phenomenal as real, whether in the abrupt sacrifice of a life for the sake of an important belief of the gradual pursuit of a trivial one, is life as if appearances matter. That is not to say that the appearances do not matter, for an object can matter whether or not it is real.

An object is a combination of category and process.

The real lies in the knowledge that all objects consist of a simultaneous being and becoming.

We live with being and becoming, the insubstantiality of process and appearance, the intangibility of relations and categories, yet we must also live as if the categories are necessary and real.

… if all things develop out of value, any attack on intrinsic value is a perversion. Thus the enlightened soul does not seek to import or extend value into the world, but rather, apprehends and strives to enhance a world that is literally shimmering with value in all its objects.

(emphasis mine)

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PAL. Chapter 18. Efficacy and Illusions. Pp 486-508.

 

Choice is a fork in the road of value that gives direction to agency and intention. The feeling of agency is value flowing from the self into action.

Actions go out to the world from the self as occasions of will or desire. Objects and events come to the self as occasions of interest or accident.

… a deeper understanding of freedom, choice and efficacy entails a radical re-thinking of the perceptual process, no less than that of action, since the feeling of agency is largely perceptual.

Agency and choice come to the fore in action, especially in verbal imagery (inner speech), as an accentuation of penultimate phases in the language act. This experience is central to the feeling of conscious choice, intention and desire.

In perception and action, there is a progressive analysis of character (self) to choice (selection), decision (specification) and effectuation.

… the concept of god’s agency is derived from the feeling of human intention, as the perception (theory) of object causation is derived from the feeling of agent causation.

The transition from potential to actual is causal if it is divisible into intervening phases, but this does not apply if potential and actual are part of – as stem to leaf – the same entity. Potential perishes at the moment of actuality, not successively at each phase in the path to the actual, since potential at each phase is part of the actuality it leads to, i.e. part of the epoch of its actualisation. Potential and actual are successive phases in a single momentary existence.

The origin of agency in early cognition is also the beginning of a theory of subjective time.

The control of the object that is the seed of agency is less a projection of human thought onto nature than an elaboration of indeterminateness in natural process.

The argument that advanced forms exist in earlier ones in statu nascendi is also the critique of an evolutionary account of consciousness and value. Purposefulness achieves its aim when it terminates. The aim is not given beforehand.

Agency in organism is the basis of a theory of object-causation. Intentionality in organism, as nature individuates still further into human thought.

The distinction of cause and effect in object-causation is parallel to the distinction of self and world in agent-causation. In the former, such problems as the demarcation of the cause, its transition to the effect or the attribution of contingency to accidental causation resist analysis by the methods of the very theory they subtend. Since they cannot be explained by the doctrine of external relations, they vitiate the theory. A theory that cannot explain its core assumptions is vacuous, not merely incomplete. A persistent incoherence is close to an unacknowledged refutation. Similar problems bedevil agent-causation, but here, contingency translates to free will and the connection of cause to effect is even more obscure.

The experience of direct knowledge of our inner states is in striking contrast to the indirect knowledge of ignorance that we have of the series of co-temporal states of the world and other minds. The immediacy of awareness for our won thoughts does not occur for the internal states of other objects or the thoughts of others, unless one accepts the possibility of mental telepathy. (emphasis mine) The conscious anticipation of a coming state and the feeling of agency and intention contribute to the continuity from one state to the next.

The other side of a lack of direct knowledge of processes linking the succession of states in the world is the inference of lawfulness in physical passage, whether due to probabilities, causal necessity or divine guidance. Since ordinary objects do not contain selves that can intercede in the flow of world events, they are inferred to be the outcomes of a causal series that, in principle, traces back to the beginnings of the universe. … For example, we tend to postulate hidden causes (motivations, conflicts, etc.) to explain the actions of others, which they believe are freely chosen.

While the presence of choice in nature is consistent with some interpretations of process metaphysics, the feeling of choice in nature is sensed primarily in the “primitive” thought of animism and dream cognition. The uncertainty in quantum theory is ordinarily interpreted not in terms of choice but of probabilities which collapse, retroactively, into causal effects. If mental causation (agency) is impressed on the order of natural events as object causation, free will might extend into the world as choice, either as contingency or in the belief that god intervenes in the stream (cycle) of change. In any event, our concepts of objective change have their sources in physical experience.

In sum, freedom in non-cognitive nature, as well as in the brain state, is grounded in contingency or probability or creative advance, yet the concept of object causation is inherited from human agency, just as the concept of probability is inherited form human choice. The potential, the novelty and the possibility are so forceful an experience with an image in the mind survive in the contingency of external objects. The feeling of volition that is lost as the object exteriorises is replaced by the feeling of a causal force that is extrinsic to the observer. The will exteriorises with the object as its causal power. The free will that imposes certainty on indecision becomes the power of causation tha imposes necessity on contingency.

I think the causal theory of nature is a strong extension of the feeling of agent causation to external objects, while contingency in nature is a weak extension to objects of the feeling of choice, possibility and personal freedom. There is a complementary relation between, on the one hand, the rigid laws of macrophysics and the uncertainties at the quantum level with, on the other, the certainty of agent-causation and the freedom – creativity, uncertainty etc. – of personal action. … The “laws” of the mind that give the objects of perception (and science) become the physical laws that govern mind independent entities as well as mind.

(emphasis mine)

The sense of self as persistent over time is the result of a positive illusion of a prolongation of its arising and a negative illusion of a lack of incessant perishing. The replication of the arising over the perishing of each moment swamps the perishing and accentuated event recurrence, transforming events into objects, while the obscuration of the perishings by the new arisings accounts for the hardening of objects into substances that appear permanent. The stability of the self mirrors the illusion of a dynamic will, as stability and flux achieve a compromise of permanence and relationality, or inflexibility and change. The will cuts across the perceptual boundary of mind and world.

An object cannot be what it becomes until it becomes what it is, but it cannot become what it is until it is already that object (category). Creativity is the realisation of what in some sense one already knows, as contingency is the realisation of what is not known until it is realised. The juxtaposition of the agency of self-realisation with the contingency of perception extends the novelty of basic entities to the freedom of the will, and extends the freedom of the will to possibility in the world.

To say, I am the other, is literally true.

Reality is given by a conspiracy of the senses, as scientific objectivity is given by a consensus of opinion, not by the intrinsic properties of what is perceived.

(emphasis mine)

Action, especially altruistic action is neutralised by objectivity, as decision, however rational, is not decided by reason.

Self and act are one state.

Reality is the process of individuation, the transformation of wholes-to-parts, and the categories that turn such transformations into stable forms.

The belief in one world of private experience and another of public events is deeply entrenched. To think otherwise borders on mysticism, to feel otherwise is psychosis. The “gap” from mind to world is fundamental to the entire edifice of western thought. Yet the assumed confrontation of the self with objects that are, in fact, tributaries of the observers mind is an error only slightly less pernicious than the separation of mind from physical nature.

The creative would seem to be the “highest” expression of free will, as habit and repetition are its nadir. But the creative is not a product of the self, for the self is recreated with its contents. Process is creative at every phase.

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PAL Chapter 4 – Value in mind and nature. pp.127-143

Kill thy activities and still thy faculties if thou wouldst realise this birth in thee. ~ Meister Eckart.

For process theory, the dynamic in a mental content lies in its immediate prehistory, not its causal surface. The change from one state of mind or world to the next ia a novel becoming or near-replication of the immediately preceding state. Images, thoughts, feelings, objects in perception, do not cause something to occur; they appear, disappear ans are replaced by a subsequent state. The present state may be conceived as the effect of its antecedent, but it is a novel actualisation constrained by the state it replaces. In human mentation, the contents of awareness are actualities or finalities that perish, not solids with causal force. The process of actualisation, not what actualises, is the focus of change in mind and world.

In the actualisation process, mind and world are not parallel endpoints. The self is an intermediate phase in the object, which is an objectification of subjective phases in the mind/brain state.

Idealist philosophies regard the contents of the mind and the objects of perception as the phenomenal derivatives of a covert underlying reality. Concepts and objects, however, are not veils concealing formative process; they are the process that deposits them. Whether an object is conceived as real or phenomenal, there is still a development, a microgenesis or phase transition concealed within its surface form. The pattern of the phase-transition within an object is its reality, whether the unconscious process of the mind or the microphysical process of non-cognitive nature. Fundamental to this line of thought is that common process underlies the multiplicity of forms in nature and the diversity of contents sin human cognition.

More than consciousness, value brings the objectivity of the physical world into relation with human emotion and conceptuality.

To say that human valuation is continuous with value in simple physical entities is to claim that value is grounded in the cosmology of process metaphysics, even if the precursors of value in rocks or particles are far removed from their final manifestation in the human mind. In other words, there is no “bottom up” continuum from the intrinsic value of physical entities to the subjective valuations of human cognition.

The concept of intrinsic value traces to an ancient debate in metaphysics centring on the opposition of the qualitative and quantitative modes of analysis. The tensions in these modes of thought is expressed in cognition in the distinction of the qualitative feel of the inner experience and the quantitative science of objects. The feeling of a qualitative something in the mind that is lacking in physical objects is the basis of the dialectic between subject and object, or between inner experience and outer reality. … What a state is, is its objective existence. What a state feels like, is the dynamic within the state. This contrast at a more fundamental level is that of change and persistence, or the extremes of annihilation and eternalism that delimit the Buddhist middle way.

(P.131 has an important paragraph that is too long to share and not reducible to summary in a coherent manner :( )

… the existence of an entity is its intrinsic value.

Intrinsic value as existence transforms to value as feeling, or from existence as a packet of energy to life as a vector of feeling. At the stage of intrinsic value (existence), the dynamic is a non-directional becoming of process within the being of entity. The temporality of the process within the entity, and the spatiality of the category that constitutes the entity, are different perspectives on the becoming and being that are the entity.

… the duration establishes the entity as an existent, while the process over which the duration extends is a kind of vector. In elementary entities, this is an aim to actuality. In the human mind it is, in addition, a direction from self to world.

In brief, value is the being of an entity, or the being (substantiality) of an object, over the becoming of a momentary category of phases. … This way of thinking allows us to unify the temporality of change with the timelessness of category. Quantity arises in the existence of an entity as its duration actualises. Quality arises in the process through which the entity actualises. Similarly, objectivity, as an external perspective on an object, derives from the solidification of its category. Subjectivity , as the internal ‘perspective’ of the object or entity, derives from the change through which the category is laid down. Yet all entities are fundamentally the same, so the distinction turns on the emphasis of either the categorical (substantial) or transitive (processual) aspect of the same entity.

I would locate the subjective at the point where process is no longer isotropic, i.e. when directionality is crucial to a particular existent. At that point, one could say, energy shifts to feeling as the reversibility of intrinsic process becomes untenable.

The presence of feeling imports realness to the phase sequence.

Feeling as realness is the vitality of lower forms that exist in a mode of sensory experience as it makes contact with the environment. Feeling reaches into the sensory organs and promotes movement in a reflex arc. … As feeling transforms to instinct, the circularity of the sensor-motor contact of organism with environment [...] shifts to a unified act-object. The closed circuit of reflex shifts to a simultaneous construct that is the core of a mental representation. For example, when the frog’s tongue captures a fly, perception and action occur as a unit.

Gradually, the response bias of instinct gives way to the potential of drive. The enhancement of antecedent phases of possibility at the expense of the rigid interlocking sensori-motor dependencies of instinct helps to individuate organism and enlarge its affective repertoire. With the drives – aggression, fear, appetite – there are many routes to satisfaction, the fractionation of drive is the threshold of individuality. The subjectivity of the actualising organism is more emphatic as its objective segment, the perceptual world, is articulated by feelings in objects of interest. Inner and outer worlds are the subjective and objective phases of a single perception. … The next stage transforms this pattern to a mature human cognition.

This occurs through an accentuation at a phase previously bypassed in the immediacy of object actualisation where conceptual primitives invested with drive energy allocate feeling to the merging object-concepts that give rise to perceptual objects. In this phase of conceptual feeling, the affective tonality of object-concepts replaces the object-bound drives with the concept-bound desires. The feeling in a concept replaces the feeling in or for an object.

Feeling is like a river that recurs from a source in the mind to a destination in the world, one moment surging up at a proximal phase, another, cascading downstream, yet all the while, an interior dynamic of a larger object, the mind/brain state, that is constantly pouring out objects.

An account of human perception is critical to the so-called observer error in physics, but is also necessary to bring novel insights to physical theory.

Dividing the length of an electron by the speed of light, Whitrow (1972) defined a chronon as the shortest interval of time, 10 to the minus 24 seconds.

(emphasis mine – interesting factoid ^)

The objective segment of a perception is the world we perceive. The subjective segment is the route through which it gets there and the self that perceives it. The self and experiential memories are laid down in the wake of the object as “deep structures” in its actualisation. The mind/brain state is a wave of process that stretches from the core of the mind to the rim of the world.

The ground of existence is augmented in the feeling of realness, which is then allocated to the proximal or distal polarity of the mind/brain state so as to enhance intrinsic value and realness to desire or worth. Desire is an accentuation of the subjective polarity, worth of the objective polarity. Yet, intrinsic value is the basis on which realness and desire develop as the first stages in the conceptual valuation of the object.

Interest is the qualitative shift in value from realness to worth. The conceptual feeling that is channelled into the object heightens its affective content. The object stands out, signifys something beyond itself. An object of desire that has interest or worth can also be a concept or an idea distinct from the desire for it by the self.

The relative emphasis on a proximal-subjective or distal-objective segment in the mental state determines whether valuation will be felt in the perceiver as desire, or in the object as worth.

To sum up; a perception is a transition over phases leading from self to world. A single transition, an act of cognition, is a mind/brain state. An object includes all of the phases in its development. Basic entities also exist as duration. Intrinsic value is the existence of a physical entity over its phases. The intrinsic value of an entity, or a mind/brain state, is its non-cognitive existence. This is the foundation of its initial subjective valuation as realness. Physical entities exist before they are felt as real. They cannot have the feeling of realness without being existents, even if those existents are hallucinatory or virtual. Realness is the accentuation of existence in organism. The object not only exists, but fells real. As intrinsic value grounds realness, so realness grounds a more developed valuation. … The transition os from intrinsic value (existence) of inorganic entities, as the envelope of their waveform, through the realness of organic life, in which process becomes directional, to the conceptual feeling of human cognition, in which desire and worth precipitate as the affective content of abject-concepts at their subjective and objective polarities.

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PAL Chapter 3 – Affect and Idea. pp.101-121

 

… the common distinction of emotion and idea, [is] that emotions are the transformation of chemical or physical energy, while thought involves the transformation of information.

If emotion is the antithesis of conceptual thinking, feeling and concept must come together in some way to give context to feelings and impetus to ideas, though just how this might occur is uncertain.

Energetic theory of emotion has survived not only because it appeals to common sense, but because it is grounded on evolution. Energy in inorganic mater is the basis of emotion in higher organisms. My thesis here is that emotion begins as energy, eg. the wave-form of a basic entity, where it is ‘contained’ in basic packets or particles. At this stage, energy has a momentum but not a stable direction, certainly not an aim. The energy and its boundedness are the existence and nature of the entity. Put differently, the entity consist of a packet of temporal extensibility over the duration of its existence, a duration that is, at least conceptually, isotropic or time-reversible. In the evolution of organic life, energy tkes on an aim or direction over its duration and becomes anisotropic or time-irreversible. The phase transition has a before and after. With directionality, energy is transformed to feeling. The shift from bi-directional to uni-directional feeling, as with all natural advances in organic systems, occurs within the duration of the entity, i.e. within the temporal extension of each occurrence.

Once there is feeling, an ‘idea’ goes to satisfaction. This ‘idea’ is the category (duration) over which the feeling develops. As energy is the seed of emotion, duration is the seed of idea. Energy becomes feeling, duration becomes category. Or, put differently, becoming (process) is feeling, being (state) is idea. The category that encloses a feeling is also its aim, since the category does not exist until an epoch of feeling terminates. A complete cycle of feeling establishes the boundaries of the duration, and thus fulfils the aim or idea of the category that up until them has been virtual but, through the cycle of feeling, becomes actual just as it perishes.

(emphasis mine)

One can say that feeling is felt process in simpler organisms – it is the dynamic of their unreflective lives – while emotion is the experience of process in higher ones. A simple organism is its feeling, but complex (human, but perhaps lower) organisms have emotions. In emotion, we experience the life-animating process that actualises the person that we are.

The inner and outer world that are created in perception are created for those who, themselves, are created by feeling.

When feeling goes immediately in to action, the body receives all the feeling that might otherwise have been allocated to objects, and the self and its body are then more intensely alive.

The impression is strong that ideas are free of affect, and feelings are free of ideational content, with the awareness of an emotion being the result of a judgement. However, nothing could be further from the truth.

Thus we arrive at the conclusion that emotion or feeling is the process-experience of becoming, while the feeling or emotion that is experienced, the designation of that experience, or its fixation in an object or idea, is the object-experience of being. As being gives existence to becoming, so without becoming, being would not exist. Objects are created by feelings as enclosures, but feeling is what makes objects real existents.

Thought expresses feelings, minimally in what a person chooses to think about, so just thinking about something entails an affective (evaluative) quality.

A mood does not seem to have an object, rather, it affects all objects and it poses difficulty to a theory of affect as the inner dynamic of ideation. Yet we occasionally have ideas that are also pervasive, and it may be that what such ideas and moods have in common is their relation to pre-object categories, where neither the concept nor the feeling has individuated with sufficient clarity.

In ongoing perception, feeling intensifies when interest collapses on a single object, for example when we perceive an object with fear or love. It is not surprising that this also occurs in memory, which is attenuated perception. Feeling is heightened with absorption in the memory. In creative writing, one attempts to reclaim a certain mood and recapture the idea or inspiration of the work, not just any mood, but one which is specific to the generative idea. The mood corresponds to the idea even if the idea cannot be articulated. At such moments, one wants to be saturated with the idea, to get into the mood and stay there, to bring its latent content to awareness. … The creative mood with its inchoate idea suggests that ordinary moods like depression are also associated with an unconscious ideation.

Depending on the context, feeling grows or fades. These observations indicate that feeling and idea are part of the same complex, but their unity is fluid not quantal. The apparent liberation of affect from idea that occurs in the derivation of drive to conceptual feeling is equally a liberation of the idea from its affective tone. Affect and idea are not fixed for all subsequent revivals. Even in drive, a given idea (construct, category) is not inextricably woven with a given affect. The shifting relations between feelings and memory, or feeling and idea (object, event), depend on the current mood, the passage of time, depth and context and the momentary focus of attention.

Affect is a part of the process-life of the present. The past-quality of feeling is derived secondarily from reminiscence. Whatever there is of pastness in feeling comes from the memorial-quality of the idea. In contrast, a memory that is experienced as a present event would be an hallucination.

The emotional response to a past event, more than the memory of the event, depends on the current state of mind. This is also true for perception. … The affective tone of the moment colours the feeling of the event. The affective tonality of memory is determined by the current state, which includes the embedded memory.

This union of feeling and object (concept), closer to memory than perception, closer to archaic structures of the limbic formation than to the recency of neocortex, closer to the past than the present, allied to magical and creative thinking, abides just beneath the surface of everyday thought.

In human thought, feeling and idea – the dynamic and static of cognition – are indivisible. Ideas are deposited as categories out of the incessant throb of feeling, both within the organism and in its world. This is not the view of most philosophers, nor of psychoanalysts.

(emphasis mine)

… an object individuates in the course of self-realisation from an intrapersonal phase of dispositions, values and implicit beliefs through one of experiential memory, object-concepts and imagery, to a thing in the world.

The conceptual portion of an external object is its object-category, its affective portion is realness and worth.

Feeling marks a development within the realisation of the object of a dynamic that was not previously noted. This development is attributed to knowledge or experience, which is another way of saying there is a deeper exploration of the infrastructure of the perception, of an inner layer of memory and subjective feeling just beneath the outer rim of objects.

When we gaze at an object of interest, its value grows with an expansion of submerged residues in the underpinnings of the object. One line of expansion leads to growth in object- and lexical-concepts. These develop into objects and propositions that are relatively free of affect. The other line of expansion leads to a growth in experiential memory, which is relatively independent of lexical- and object-concepts. The former is governed by the regularities of rational thought, the latter by feeling and metaphoric thinking.

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SEM pp.147-170

p.147

“…philosophy is more a matter of passionate vision than of logic, … logic only finding reasons for the vision afterwards.” ~ William James (1909)

Feeling is a vestige of quality in an age of computation. … There is a trust in feeling that is denied to logic and argument. … The problem is we still have no answer to the question, what is a feeling Do feelings have an interior life apart from their expression?

p.149

… the complexity of the emotional life is bound up with the intellectual level. The emotions undergo a development in phylo-ontogeny much like thoughts and are elaborated inwardly in relation to mental content. There is an affective element in every act and object, not attached to the act and object from outside but part of their structure and their description.

p.151

Every object has an affective content and every affect has an intensity. An object has a stronger affective charge if it is a personal object. An idea can also be a personal object. The more personal the object, the greater the investment of the self, or the more proximate to the self the idea. The self is the repository of the strongest affective charge and those objects to which it gives rise share in this intensity. The intensity of love or grief is a sign of the degree to which the self participates in the beloved object. Like all emotions, love and grief are selfish in that the object sounds the depths of the self concept and draws from it’s intensity.

p.152

Intensity is a clue to the stage in the affect microgeny. Strong affects attend unresolved objects. … The reciprocity between intensity and generality on the one hand, specificity and restraint on the other, and the loss of intensity in the derivation to an object take us closer to the question of what a feeling is.

p.153

Drive is part of the concept prefiguring the objects whereas feeling is part of the image that is anticipated in drive, transforming with the image into the affective content of external objects. It is towards these objects that images are directed.

The will as a core affect and the self as a core concept are given together as a single inherited form.

p.157

Intention is not something that is applied to an affect, an affect is not bought in to relation with an object. The affect changes as it approaches the object. Intention is generated as the object materialises. The intentional is only a phase in percept formation when there is sufficient resolution for the discernment of an object.

p.158

Even if an object is interpreted as a “projected” representation, it’s animation by feeling reinforces the belief that it has an independent life beyond the imagination of the perceiver. Affect confers vitality to mannequinised objects in a derealised world. It is the difference between mind as a living organism and mind as a machine.

p.159

The object of an empathic state incorporates elements of the self concept. The self values the object as part of it’s own nature, a piece, as it were, of the self in the world. In this way, empathy is a type of loving.

p.161

Indecision is a sign of precognition. … Objects emanating from the self appear as instigators of an affect that in reality is bestowed upon them. … We can empathise with a mind inferred in an object that is alive by virtue of the affective tonality invested in it. … Feeling is a bridge to the world of objects, an antidote to solipsism, the isolation that sets in when we apprehend the imaginary nature of objects; that is, when objects become like thoughts.

p.163

Clearly there are powerful illusions at work, beyond affect, in living life as-if things are the way they seem.

p.165

A fundamental problem for dualism is the plasticity of mind and brain and their coupled growth and decay over time. How are learning and forgetfulness explained if mind is autonomous? … If the minds that brains actualise are self contained and immutable, why are brains complex beyond that required for the realisation of minds if the complexity of mind is not a function of the brain?

p.166

Whether consciousness is a product of brain … or identical with brain activity … is almost irrelevant without an effect of consciousness on brain or other mental states.

p.167

In philosophical discussions almost anything can count as a mental state: a feeling, a proposition, a belief. But are these mental states or are they ways of characterising the content of a mental state, and if so, in what sense are they part of the content?

p.168

In microgenetic theory, belief is a type of assent to the satisfaction of a deep concept by it’s surface realisation, a conforming of a subconscious concept to the conscious content into which it fractionates. Belief is not a basis of action but a measure by which this satisfaction can be gauged. A subject is informed in a belief as to the nature of the underlying concepts that are, in fact, generating the behaviour.

p.170

To microgenetic thinking, a representation is a momentary prominence of a segment in the unfolding. Idea, image and object, representations at successive points in perception, are only potential accentuations. In the course of the unfolding, part of the content of an idea becomes explicit in the object. The content of the idea is realised “epigenetically” over stages. A representation is a prominence of the segment enclosing it’s to-be-realised content. There is no stable content waiting to be called up. … The stability of the representation is a function of the probability of it’s recurrence. In microgenisis the distinction between processes and representations is like that in a river between currents and eddies. The representation is a rest in the flow. Process is not the output of representations; operations do not act on representational states. Representation and process are the static and dynamic expressions of the same dynamic event.

(YES!) now we are getting to the crux of the matter as far as I understand it!