Magellanism

authentic artistic productions
the avant garde…
whisper unconscious koens
subliminal social suggestions
haunting the ready, the restless…
prepares ground
for punctuated emergence

what is this light ???
a cascading series
of erotic creative toggles
which vitalize the preparation
of this special autopoesis
the poetry of our collective dance
becomes obvious
in these special glimpses
of the great remembering

it’s more than the eros
of pursuing the excellent questions,
the loving play and design
of cognitive gifts and exercise…
it’s more than the sacred reverence
of our sanga in practice,
this emergent suchness,
exhibiting delicious blended elements
of both…
ah !!

at this intersection of our experience
a fresh, new, and alive we-ness emerges
mysterious, gorgeous, seductive presentations
the stuff of this new manifestation
the resonance of our fresh social moment
this precious group
this shared new luminance
new containers are formed
already brimming,
with our splendid light

PAL. Chapter 22. The Illusory and the Real. pp.579-602

 

The thought-objects of perception which are presupposed in the common thought of civilised beings, are almost wholly hypothetical. The material universe is largely a concept of the imagination which rests on a slender basis of direct sense-perception. – Whitehead (1932)

All experience has an illusory quality, from a vision of the starry firmament to mathematical objects at the smallest scale. Yet the illusory or phenomenal nature of experience, which is at the heart of many great philosophical systems, escapes the minds of most ordinary people, who live their lives as if the self and world are fully real and material.

Illusion is an endogenous image that carries with it features of a terminal cognition. It appears to be an alteration in an external object because the image is close to full objectification.

Hallucination and illusion are incomplete perceptions, while a perception is a fully exteriorised hallucination, guided by sensory constraints. Admittedly this is an exceptional view of the world. It is not surprising that those who see the world in this way, i.e. as an extension of the mind, are tempted to look for another, more dependable image of the real, such as that of physics or the absolute, or a noumenal world beyond experience.

Illusions are not limited to those we perceive and study, but are found in all aspects of daily life. They include such fictions as object stability in a world of flux, time as linear rather than recurrent, change as an external relation between objects rather than intrinsic to the object formation and being as thing-like rather than a category that enfolds a becoming. On these foundations, the whole edifice of mind develops, and with it, the gap from self to world, the emergence of the present moment and, around it, past and future, and the feeling of intention and desire.

… it takes only a little insight in a spell of vertigo, when the world spins around one’s head, to remind us of the subjectivity of all so-called veridical perceptions.

The partition of experience into subject and object is an important fiction but not the most fundamental. That of substance is deeper, more pervasive and responsible for the illusion of subject and object. The subjective phase of thought lays down the self and its will, the objective phase lays down concrete actualities. The progression to definiteness is an aim to stability. The shift in quality in a progressive individuation is the basis for the division of experience into self and object.

If substance is primary, change is unreal, if relations are primary, substance is illusory. … The distinction of substance and process, or being and becoming, dissolves when substance is conceived as being-as-the-category-of-becoming, and becoming is conceived as process over a temporal extensibility that is framed by a category, and category is conceived as a duration of relations, the awareness of which is obscured for the sake of stability. The mind chunks experience (Miller, 1956) into things, selves, ideas, propositions, the perceptual and logical solids that articulate and anchor the “all is in flux”.

(emphasis mine)

Reality is different than existence. The concept of reality presumes a match from mind to world. The concept of existence is independent of verification. The non-existent cannot be real, while a thing must first exist in order to be real, so that reality presumes existence.

The truth is in the relation not in the relata.

An acknowledgement of the ambiguity or uncertainty of truth is the first step in their honest pursuit. In fact, ambiguity may inhere in the truth if the dialectic employed in its discovery extends into the truth that is discovered.

The interdependence of all things, and the dependencies within all things, remind us that we are sets of constitutive relations embedded in still larger sets. There is an implication of such observations for moral philosophy, in that the artificiality, tentativeness and transience of autonomy speak against egoism and isolation, and provides a meta-physics that reinforces an ethics of generosity, shared experience and the primacy of community.

(emphasis mine)

… the gradient from doubt to conviction, or from an awareness of a falsehood to certainty in an error is determined not by a relation to fact but by the experiential quality of the object. Coherence, not correspondence is the psychological determinant of belief.

The distinction of the real and the unreal rests on a confusion of categories. It may be a confusion we have to live with, but at least it should be acknowledged.

… real things are hardly what they seem, not because they are misperceived, or because they are shadows or phantoms, but because what we observe, and what we infer behind our observations, are entities modelled on our experience with inner states that are opposed to external events, when the external is not the real world but the final segment of the mind/brain state that objectifies as “reality”.

The duration of the present, the unity of the self, the subject/predicate relation in language, and so on, create illusions that can only be exposed by the most ruthless and uncompromising skepticism.

The real is a covert process of creation that we mirror as spectators or participants. It is not that objects are unreal but that the real in objects is missed and, with it, the groundlessness, i.e. emptiness in the Buddhist sense, of all claims, all entities and all objects of desire.

The distinction of the illusory and the real depends on whether the intrinsic relationality of an object is part of its description. The consequences of a failure to address the dual aspect of objects and of accepting the phenomenal as real, whether in the abrupt sacrifice of a life for the sake of an important belief of the gradual pursuit of a trivial one, is life as if appearances matter. That is not to say that the appearances do not matter, for an object can matter whether or not it is real.

An object is a combination of category and process.

The real lies in the knowledge that all objects consist of a simultaneous being and becoming.

We live with being and becoming, the insubstantiality of process and appearance, the intangibility of relations and categories, yet we must also live as if the categories are necessary and real.

if all things develop out of value, any attack on intrinsic value is a perversion. Thus the enlightened soul does not seek to import or extend value into the world, but rather, apprehends and strives to enhance a world that is literally shimmering with value in all its objects.

(emphasis mine)

PAL.Chapter 21. The Moral Dimensions of Aesthetic Experience. pp.554-577

 

Mind is the sole self-intelligible thing, and therefore it is entitled to be considered the fountain of existence. - C.S. Peirce

An ordinary object is an encounter, an artwork is an experience. … Ordinary objects can become works of art when perceived from a certain point of view. The difference is one of emphasis, not kind. How this difference is understood depends on a theory of perception.

The belief in an inner and outer world and the springs of behaviour that stem from such a belief are implicit, covert, and deeply ingrained in the psyche.

Are the neocortical zones the standard model loci of initial processing, or do they mediate endpoints of perception as postulated in microgenetic theory?

For microgenetic theory, the quarrel is with the standard model of perception, not action, for perception is interpreted in the same way as production, as an expressive activity that goes out to the world. … The point is that objects take on aesthetic value not by an addition of psychic qualities, but by an accentuation of those qualities as segments prior to their objectification.

From a temporal standpoint, the object includes, as part of what it is, all the phases traversed in its perception, including the subject. That is, the object “out there” has a microtemporal structure that includes earlier phases that lay down the subject. We speak of subject and object, but to be more precise, they are subjective and objective segments in the same act of cognition.

People are quicker to note differences than similarities. However, instead of demarcating and analysing, one finds if one looks more closely that what appear to be distinct nodes in a category, or separate domains of function, are gradations with indistinct borders that are constantly changing and merging.

Value is the bridge form aesthetics to ethics. Central to the continuum is the concept that value is allocated at different segments and in different proportions to the transition form self to object, from drive and intrapersonal desire as one polarity, to attention, then realness and extrapersonal worth at the other. In the compromise of other-centered self-denial and drive-based egoism, the subjectivity of conceptual feeling, in art or ethics, confronts the objectivity of custom and/or approval.

A perception is an adaptive model of the world. The stability of this model is due to its recurrence.

The object is more alive when the life of the artist or observer is engaged.

The timeless objects of aesthetic contemplation become actual through the observers emotions and ideas, while the living things that have our moral attention incite a timeless obligation to protect and trust.

The saint embodies in his acts the ideal of goodness, genius embodies in its works the ideal of beauty. In art, self-realisation trumps obligation, in ethics, in the saintly or compassionate person, they are aligned.

Language tends to fractionate feeling and dispel it over time, art concentrates feeling with greater immediacy. Unlike art, which has been increasingly liberated from mimicry, even tradition and communicability, language cannot escape realism without becoming incoherent or ejaculato.

The attribution of mentality to an artwork or natural object, i.e. the presence in the object of the creative power of a genius or a god, is a species of animistic thought, but it is the first step in a transition from aesthetic to moral concepts.

In that beauty is contemplative and goodness is instrumental, the relation of beauty to morality is like that of perceptual commitment to conceptual obligation. In this respect, there is a comparison of philosophy to life, or theory to behaviour, which is the relation of thought to action, choice to decision, need to satisfaction.

Universality is sameness over difference, in space, time or context. However there are no exact repeatables. Each entity individuates a relational whole, so supra-ordinate or categorical universals are as fictitious as isolated particulars. The idea of an absolute repeatable is motivated by a desire to introduce conceptual stability into a world of change.

The enduring self in relation to the succession of acts is a relation of a category to instance, perhaps it is even the nucleus of the idea of universal and particular.

The concept of a generic category opposed to a particular instance arises as a whole/part relation in time consciousness. The temporal incrementation of spatial wholes, or the elaboration of succession out of simultaneity, is the creation of time order out of non-temporal wholes.

… consistent with the microgenetic account of the sculpting that occurs in every act of cognition. The process of specification leaves the category behind as the part individuates.

The relation of the good to good and bad acts, like that of perfection to genius or corruption, is also a relation of the ‘timeless’ to the temporal.

A population is not involuntarily subjugated by rulers that arise within its ranks. Its beliefs and values create the conditions in which the corruption and oppression flourish.

Ultimately, ethics and aesthetics fuse in a life of self-realisation. What is at stake is authenticity of character.

Microgenetic theory is the basis of an account of ethical conduct and aesthetic feeling in the recurrent specification of acts and objects out of the self, i.e. as self-realisations of character and personality. … The starting point is the description of the mind/brain as a process of self-realisation.

From a process standpoint, art and conduct move from subjective wholes to objective parts. In both, the subject feels the centrality of personal value and motivation. However, the subjective is revived in recreating an artwork, which is vetted fro its power to induce this revival in others and the depth of feeling evoked. Conduct is also vetted by those who revive the act in the imagination according to their valuations, but unlike an artwork, conduct is not revived concretely, only a judgement of its context and consequences. This leads to external judgements in conduct, internal ones in art.

 

PAL. Chapter 19. Thought and Action. pp.509-530

 

The analogy is with the choice of a word … we have the experience of searching for the right word. … We may even have the initial letter or sound, and search of r the phonological content. The feeling of agency that occurs with the search is not a volition applied to the “retrieval” of the word from memory, but rather, the feeling of agency arises in the process of word specification. A search that is within an object or semantic category is not merely linguistic, but ideational. A conceptual search is also agentive, though it is marginally intentional, since the object of the search is imprecisely known. In both cases we struggle to find the right word, or capture the concept it vaguely subtends, or we mine the concept for its most befitting, alluring or poetic realisation.

When action is required, all the predictions go out the window. The action may or may not be reasonable, or justifiable in retrospect, but it is not determined or sanctioned by a pre-packaged logic or an unconscious rationale. The unconscious has a logic of its own that differs from the a of consciousness. The unconscious impulse is often in defiance of reason.

We would not expect the “same” person to act impulsively on one occasion and deliberately on another when the occasions are similar. To the extent that actions are consistent, they show that a change in character is glacial compared to that of circumstance.

The configuration that discharges in a spontaneous act undergoes individuation when the act is postphoned. The resting valence of the ego- and exo-centric dispositions may then fluctuate as one set gains the ascendancy. In principle, a delay permits further specification of the dominant value-set, perhaps more often muting expression than enhancing it, as contemplation or persuasion sorts out the most judicious, advantageous or moral course to follow.

The contrast of spontaneity and deliberation is that of automatism and freedom. This contrast is central to the relation of thought to action.

In certain cases, the very occurrence of deliberation, in replacing action with thought when action is required, is a species of immorality.

The value configuration undergoes a gradual evolution with age and experience, hopefully in the direction of a lessening of egoism. However, at any stage in life, unless the individual undergoes a personal crisis or a spiritual conversion, the equilibrium of self and other is unlikely to dramatically shift simply though learning.

When a decision is distributed over many people with differing views, or when one person holds beliefs and values that are incompatible, or if one set of values does not predominate, conflict or compromise is inevitable. The individual is paralysed by indecision, action is replaced by consensus, diplomacy becomes an end in itself. Strong character, purpose and determination at one extreme, blind faith, totalitarianism, mob action at the other, enjoy a certainty that is not shared by a democracy of opinion which, by its own edict, cannot satisfy every claim.

An impulse that is delayed and replaced by language and/or thought does not easily recapture the passion or dedication of the act that was postponed, unless the intervening phase serves, in a single-minded way, to shore up the initial impulse.

Conscious choice arises when a phase prior to the individuation of an action is retarded in its transit, so that the phase of selection, not the act that is selected, becomes a focus of reflection.

The postponement that takes unconscious commitment to conscious choice is consistent with the evolutionary principle that the “higher” (later) is not a cognitive or evolutionary add on, but a branching of “lower” (earlier) uncommitted stages.

Too many avenues of self-realisation dissipate the intensity of voluntary feeling, while a lack of options, if not coerced, or a habit of repetition, discharges (the self) directly in the act. An examination of the micro-structure of choice, (Brown, 1996) affirms that concepts are not conveyed, but survive into consciousness, as deliberation or indecision uncovers the covert struggle in their actualisation.

The values of self and other are co-temporal in their origination, and continuous in the process leading from self to object. When two egocentric desires or values clash independent of the needs of others, the choice is non-moral. When ego-and exo-centric values clash, the choice is moral. Since values derive from drives, which are adaptive, the origin of every value supposes a social factor.

Only when a person is oblivious to his own motivations can an act be considered an end in itself.

Each act of cognition, taken as a momentary state, specifies an aim. The aim – goal, end – becomes clear as it is realised. The conscious aim is not the construct that initiates the action. That some aims are ends and others are means stretches the causal theory of conduct over a concatenation of acts. From the standpoint of process theory, the distinction of ends and means is probably barren of import. The means/ends distinction requires a reconstruction over a series of acts of those that can be considered means and those that can be considered ends. In fact, the end of each act, conceived as a means to a subsequent act or a terminus of the current one, is in both instances the aim of its actualisation.

The lack of conflict, the naturalness of an action, not its rightness, is a mark of authenticity or coherence. … We perceive a spatial or synchronic coherence in the interlocking pattern of everyday objects. This coherence depends on the seeming immediacy of perceptual contact. Another, deeper coherence concerns the temporal or diachronic pattern through which the spatial elements are derived. Action is diachronic, though it becomes sychronic in the agents perception. Diachronic coherence is felt or intuited, not directly perceived.

The conceptual and the material, like the mental and the physical, are symbiotic concepts. The one supposes the other, to which it is a response. A fixation on facts as building blocks can suffocate an ambiguity that may be our best approximation to truth. Assertion and refutation seem to be the sole paths to knowledge, but what sort of truth survives? A negation, unlike a refutation, constrains; it does not reject but exposes the nugget of truth that remains after a mountain of error has been excavated. The limits of any theory are at stake when anything is described, for a description is a piece of the theory that supports it. For every category, there is another just beyond its contours. Every statement plumbs the depths of the presuppositions on which everything depends.

(emphasis mine)

We do not attribute the same degree of volition to immoral acts as moral ones, regardless of whether they are spontaneous or deliberate. This dissociation introduces mercy and compassion into the system of justice, but makes no sense at all from the standpoint of human psychology.

The self may have some independence from its causal inheritance, through contingency and the duration of the present, but intention still collapses into character.

Values enrich those [personality] constructs that incline the self to personal or social ends. They facilitate dispositions to configure concepts and their implementations in words and acts.

The option of choosing right from wrong and the intention that inheres in an act of choice are an origination myth on the unknown antecedents of acts. Like any myth, this one survives and is perpetuated because it satisfies human needs, agrees with common sense and is necessary for justice, but also because it discharges a society of the responsibility for creating its own saints and monsters.

PAL. Chapter 17. Luck and the Pursuit of Happiness. Pp457-483.

 

In utilitarian ethics, happiness is an impersonal measure of the quantity of the pleasure in the greatest number of people, though personal happiness is pleasure in the free exercise of personality. … Virtue is a quality, happiness is a state.

An obligation that has not been assimilated as a personal value is not a genuine desire. To the extent it is not internalised, it is felt as coercive and according to the degree of resistance, it is an obstacle to happiness.

Virtuous actions that strive for the greatest good may elicit resistance or punitive action, nor do they necessarily lead to happiness or satisfaction, which probably depends less on one’s accomplishments in the world, or for others, than on the intimate rewards and pleasures of daily life.

… individual agency is diluted in the “group mind”.

The calculus of the utilitarian is closer to the morality of states than an ethics of character.

One can ordain a homogeneity of goods, but not of desires.

The more impersonal the perspective, the more axiomatic the rule, the more artificial the methodology … , and the more the morality becomes a meta psychological attitude distinct from its affective base.

A detached perspective reduces self-interest and should increase the moral value of an action, but it is engagement, not detachment, that aligns moral feeling with right conduct. Self-denial and detachment are an insufficient foundation for happiness and no warrant for moral conduct.

The move from intrinsic to extrinsic relations is the shift from personal value, which is qualitative, to impersonal fact as a quantity.

Those who do not struggle to survive are more prone to depression and more likely to kill themselves. In this regard, even illness and disability are not barriers to happiness.

Happiness consists in the ability and opportunity to seek that which one desires. It is the enjoyment of a subjective aim, an alignment with the forward-going process of life, a finding that contrasts sharply with the Buddhist concept of desire as the source of suffering and the extinction of desire as the source of happiness.

Even if one accepts that fairness or generosity is a pre-requisite for moral conduct, the appeal to common sense rather than argumentation exposes gaps in the analysis that are fatal to the principle. A philosophy that avoids psychology by positing givens just when psychological explanation is required may constitute an edifice that is logically consistent all the way down, until it arrives at its own foundations.

We cannot derive a feeling from a rational argument.

A person can have immense pleasure on hearing a new piece of music for which he has not yet developed a desire. Even solitude is a source of inestimable pleasure. Such observations raise questions for any theory of pleasure that depends on the value of its objects.

A moral duty or rule as a guide to conduct is inadequate, and inorganic, in that it attempts, by fiat rather than by example, to induce people to share in what is a spontaneous impulse of innate empathy.

Feelings are tributaries of drive that transition will into action in combination with object-concepts.

An action cannot be severed from the private states of those involved, but engages character intrinsically at all phases, not as a subjective quality added to an objective fact. Specifically, the principle of greater happiness cannot implant an obligation in an agent irrespective of his private states when the effect of his conduct is assessed by an appeal to the private states of others.

The concept of luck, contingency and probability relate to objects in the world, not psychic events. The concepts of agency, certainty and choice relate to processes in the mind, not events in the world. Fate is an overarching concept that removes agency in a way that luck does not.

The fact that the present, as it becomes past, can be revised from a future perspective undermines the stability of an outcome-centered moral theory. We use our best judgement with the knowledge at hand, but a good act can be reinterpreted as a bad one, and the reverse, as conditions change. Luck is also like this.

The genetics of constitution and the accidents of parenting are a bit like karmic transmission, though displaced later in maturation, where one is a product of an ancestral complex, yet posses some degree of freedom for self-betterment or the capacity for degeneration. That intrinsic constitutive luck is essential to character would seem inarguable, since the installation of exocentric values depends so heavily on experience in childhood and on the moral instruction and example of parents.

For the individual, self-justification is primary, moral or rational. Ideally, he should be his own judge and jury, though an appraisal by others is essential for punishment, as well as to modulate the self-serving effects of denial, forgetting and rationalisation.

PAL. Chapter 14. Taste and Manners. pp.383-406.

 

The relation of custom to law on the objective side,. Or the relation of an implicit agreement to the publicity of obligation and enforcement, can be examined in other activities that differ from moral feeling, and yet provide arguments for a psychological theory of value in relation to intrinsic process: specifically, taste and manners. … We will see that a refined taste is closer to aesthetic perception, while manners are closer to moral conduct. … Manners are moral actions that are ingrained in tradition, taste is a perceptual appreciation of the quality that owes to a tradition of knowledge and judgment.

Genius does not necessarily revise taste but instills its own works in that which taste condones, or expands ion order to appreciate. The step from taste to innovation is like that from prodigy to genius. One is the perfection of the available, the other, a capacity to extend it.

A democracy of opinion is the shipwreck of taste, for it leads to defining the good as an average of preferences, not a model towards which they should advance. … the judgment relies on pre-processing phases in the original perception. The discrimination of the good and the beautiful that we associate with taste, or its correlates in the field of manners, such as courtesy, tact , and discretion, are implicit judgments of what is better or preferable within a category.

Preference is a felt bias to an object. Taste certifies or justifies the bias. Aesthetic feeling penetrates the object, and preference is a sign of this feeling, whether or not it is supported by justifications.

Generally an aesthetic object can only approach a standard set by another object in the same category. The standard is the ideal for its time, its style, its language etc. In morals, the standard is not extracted from the object or action, but to a varying extent, is exemplified by it. The ideal of ethics is unrealisable. There will always be a gap between the actual and the ideal, between the unknowable motives that drive an action, the feelings that accompany it and conduct in relation to virtuous character or an ideal of moral probity.

Valuation generates desire, which creates worth in ordinary objects. Worth trickles out of desire into the value of an ordinary object. … The emphasis upon feeling in preference accounts for its greater subjectivity, the emphasis on conceptuality accounts for the grater objectivity of taste.

The more emphatic the conceptuality, the more detached the emotional response.

In the fact that taste, not preference, can be disputed, the worth of the object is similar to the value of moral objects, since values can also be controverted. Worth becomes an object of choice in aesthetics when a perceptual judgment is required, and an object of choice in ethics when what is required is a judgment leading to or justifying an action.

An evaluation entails a comparison, but not precisely between objects, rather, within their common infrastructure. The infrastructure then actualises the objects to evoke the sensibility of the comparison. The judgment then, is not an addition to the object but a revival of content bypassed in the immediate perception. … Taste is a derivative of the initial perception that objectifies value in relation to knowledge articulated by learning in a specific domain of experience.

In aesthetic discernment, there is also an intentionality that informs an objectified judgment of what is better or more beautiful, or what should be desired, which is then endorsed by taste.

The determination that a certain individual is exceptional, or deserves unusual respect or deference, or merits reward for unusual skill, beauty etc., is compatible with taste in the comparison of the instance to the class, but it does not satisfy the criteria that would extend taste to ethics.

Taste and manners are not motivated by judgments, which are outcomes, but by their conceptual and affective precursors. Judgments are constraints on the refinement of other peoples sense of taste, but for the subject they are expressive features, not higher order assessments

What matters is not the surface product – the preference, the taste – but the context, knowledge and intention behind it.

A naturalist theory of the good holds that the object of the good is part of the act directed to it, i.e. the good act is continuous with, and ingredient in, the agent.

Taste can become a judgment that bridges into law or obligation. … The “political correctness” of a work of art can be imposed by force upon the artist, by threat or insinuation, or it can affect the artist more subtly in the attitudes of the artistic and intellectual community.

Art and life are in constant flux, and aesthetic (and moral) values are called into question when the lack of a precedent is an intimidating factor that prevents the taking of a strong aesthetic stance.

Good taste, good manners and good conduct are variations on a theme of goodness from the aesthetic to the moral. The value that promulgates taste is cultivated, in morals it is imbibed. The authoritative in taste – what is ‘great’ in art or literature – is comparable to the dictates of custom – what is right in conduct – in that a person is taught how to perceive or act.

In seeking links from taste to aesthetics from manners to morals, or from taste to manners, a subtle difference in emphasis can decide the category of a given act of cognition. This may be a bias to action or perception, to context and generality on the one hand, selectivity on the other. One may incline to privacy or publicity, to aesthetic or moral values, to the creative or receptive, to the perfection of the timeless or the corruption of the temporal, to the inorganic or to the living. Thus custom drives conduct in many aspects of moral and non-moral life.

Unlike the refinement of taste, as a sub-class of aesthetics, or an elegance of manners, as a sub-class of ethics, goodness and beauty are often closer to simplicity. … The consensus of taste is the validation of individual preference by those who “know what is best”. This is not the other-centeredness of goodness. It is a reliance on the opinion of a select group of others, not a concern for their welfare.

Manners are incidental to moral choices because they are benign expressions of character, and irrelevant to the particulars of a given choice. The fact that manners so readily dissociate from character suggests that, as far as virtue is concerned, they are not ingredients but accoutrements. … Ideally, they should be fluid tributaries that flow from the depths of character, little morals that become fixed in rules of gracious conduct.

Sincerity is a measure of the authenticity of moral conduct, while in taste, we accept that it is more indicative of personality and not a sign of character.

In shame, dishonour, humiliation, ridicule, the conscious self suffers an injury in relation to its ideal. The offense is internalised as a powerful refutation of a positive self-valuation. The damage to self-esteem is a ‘negative; value that must be ‘excised’ for the self to heal. The extent of damage to the self concept depends on the importance or value of the other in the life of the injured party.

… as taste represents aesthetic categories in relation to preferences as affective habits, so manners represent categories of ethical conduct fixed in routines. And as taste extends the bounds of aesthetics to all object classes, including scientific objects, so do manners extend the bounds of ethical conduct into rituals of little moral interest.

The points below are vital to bear in mind as they apply specifically to the situation in which so many of our peers find themselves – this is the version of manifest reality with which we currently have to contend.

The origination of a novel approach outside a field is often easier to accept than a transformation within one.

The masses, lay or professional, favour those who amuse them, moving from one amusement to another seeking novelty as a surrogate for depth. … It is not an exaggeration to say that barely 1% of those in any field are responsible for transmitting the higher art of the discipline to the next generation or extending it into novel areas. … Most careers exploit the known, some extend it, still fewer transform it. The question is whether, for creativity, the critical mass of ordinary work is a hindrance or a necessity. One also wonders about the need for a coterie of connoisseurs, even in an age of mediocrity, to vet a work of originality, should it appear.

It is often remarked that in an age of the global village, it would be exceptional if genius was overlooked, since everyone has access to just about everything. But a tidal wave of trivia swamps the solitary voice.

The mediocre is not innocuous, it distorts the capacity of the public – even the professionals – to appraise quality.

The ideals of the great are not hostage to the whims of the public, but seek an audience of peers, if only a few in a generation.

PAL.Chapter 11. What is a good act? pp.301-334

Morality lies in the capacity to choose and the responsibility that comes with decision, but choice depends on values embedded in character. Desire and conflict are manifestations of such valuations, while the final moral act is an adaptation of the psychic to a social world of duty and commitment.

… the tendency in moral philosophy has been to slice off psychology, eliminate the psychic precursors of action and focus on conduct, its context and justification. Psychology is individual covert, inferential, messy and complex, while action for the most part is clear and explicit.

Certainly, for a moral subjectivism, the antecedents of an action are fundamental.

The goal of a moral philosophy is a human psychology that incorporates a personal judgement of one’s acts and aspirations, ideally, a self-realisation of the better portion of one’s character.

Intentions are primary to resolve or disambiguate values and choices.

Choice is central to moral action, but there are desires without (explicit) choices, choices without acts, and acts without choice, though there is an implicit choice in every thought and act.

There is a qualitative difference in form between thinking a thing and saying or doing it.

Each moment, action resolves a mix of personal values, past experience, present conditions and future expectations, even if the person is revealed to be someone he himself does not admire.

It has to be conceded that “free will” comes at a price; once confronted with indecision, one is already in trouble, the more so if choices have equal weight. The greater the menu of options, the multitude of perspectives, the detachment, the less a person is likely to commit to a single path of action. The openness obligated by reason becomes a sanctuary for moral retreat. Reason confronts options exposed in the suspension of action and a withdrawal from objects.

We can begin by putting reason aside, for it does not help us to act. Knowledge is essential in providing conceptual alternatives, but it must be implanted in values for the right act to arise. … An emotional push is necessary for choice.

… the failure to search for error, a too hasty leap to the truth, or an easy acceptance of dogma – scientific, philosophical or religious – are marks of intellectual dishonesty and an attack on truth itself.

To act with an internalised social conscience is to be morally scrupulous. Darkness should remind us of light, the Buddhists say, and in the same sense the knowledge of life’s gifts ought to be tinged with a melancholy for their loss, for oneself and for others.

… detachment is less the assumption of another perspective than the capacity to entertain multiple perspectives, as in a dialectic, in which personal interest is neutralised by deference to alternative points of view. Ambiguity is the antidote to dogma and error. This entails a categorical perspective that does not capitulate to rival attitudes but surrounds them.

… conscious knowledge of right and wrong is not so much a prescription for action as a justification for actions motivated by the values through which knowledge was installed by the experience. … The idea that the knowledge of right and wrong can tell one what to do is sheer causistry.

Goodness may derive from a sense of duty or responsibility, but most people think it ought to flow naturally from character. … Goodness as obligation uncouples feeling from action when the impulse to self-interest is overcome.

Duty as motivation exacts a response by way of values; but duty as mere obligation is coercive and thus intrapsychically inert.

With the primacy of action, agency, thought and desire are subordinate to conduct. What them becomes of moral theory if the feeling of passivity to a thought, say in obsession, or that of agency in voluntary action, turn out to be phenomenal by-products of act- and object -realisation, not measures of actual control?

(good question!)

Even in the best of people, the examined life cannot fail to discover traces of moral corruption. We must account for our acts, and injuries to others, but it is the inner life that calls us to judgement.

The problem for subjectivism is to import greater significance to the psychic precursors of action, and to bring action back into the mind of the subject where it arises, rather than displace it into the world where it has its effects.

I think the ought of duty or obligation will continue to be a confound for a naturalist theory of value unless the necessity in virtue can be shown to be grounded in the is of natural process. Duties must be conceived as psychological constructs, values in ones character, not motives or brakes on conduct.

Goodness of character is to rightness of conduct as potential to actual, not universal to particular.

In mathematics, the numerical concept of ‘one’ has a formal identity across applications … This is not true for a real entity, which does not remain unaltered when it is separated from its context in order to compare it to similar entities in other minds or the same mind at different times. Every actuality actualises a unique qualitative ground.

The right becomes the good when conduct recedes from the objective surface of the mind to its sources in subjectivity.

Authenticity points to the unconscious moral tendencies of the individual that actualise valuations in the self-concept. Morality applies to the resolution of character and choice, the reconciliation of an authentic yet unconscious self with the decision and freedom to choose that are necessary to informed moral conduct.

What gives a person pleasure or makes one happy is not necessarily good in a moral or aesthetic sense. The dissociation of pleasure, desirability and the good is such as to vitiate theories of pleasure, happiness and desirability on the basis of goodness.

Desire is a conceptual feeling that arises in the “drive-representations” that lay down the self and its conceptual feelings or value categories. Desirability is desire that moves value outward from self to object. Desire specifies value in the desirability of the object. Desirability is the desire for an object of worth, since not all objects of worth are desired. Desirability straddles the subject/object transition. Because of its greater proximity to the object, desirability relates more to preference or taste that to desire, which is closer to drive-based affects.

The passage of what is desired, to what is desirable, to what ought to be desired corresponds to a shift from the subjectivity of desire to an intermediate phase of desirability, and then to an objective valuation of the act or object. The ought begins in the extraction of desire form drive, and continues in a progression toward the object, in desirability, which is “half way” from desire to worth, then concludes with its full objectification in the valuation of external objects.

The objectivity of object value, the feeling of obligation as (usually) external and the subjectivity of desire are interpreted as reversible and interactive, whereas subjectivity objectifies in a unidirectional becoming.

… the self is anything but rational, reason being an endpoint in the passage from meanings to words. For most people, rationality is a rare achievement. … The residual value in abstract and “affect-free” concepts must then be looked for in the value underlying the so-called pure reason.

Naturalism does not equate the good with hedonism, which is antithetical to morals, nor does it appeal to social ecology, or the behavior of sub-human primates, or the imperatives of “selfish genes”. Self-preservation does not translate to pleasure-seeking as the expense of others. The self goes out into the world and fills it with value; it does not accrue value for its own needs.

(emphasis mine)

Loyalty is an affective bias; goodness is impartial. A preference based on kinship, affection, tribe, ethnicity, is rational from the standpoint of self-interest but counter to moral logic.

Truth has empirical and logical grounds, these grounds are thought to be the basis of conviction, but the certainty of truth, i.e a belief that the truth is true, requires the subjectivity of belief to impact on the presumes objectivity of fact.

Beauty differs from truth and goodness in that it may arouse neural configurations that respond to balance, averaging or whole/part relations. This may explain the immediacy of the perception of the beautiful.

As to the association of the ideal good with reason, the good is reinforce by logic but not dependent on it. … In logic, thought retreats from the particular to the idea behind it, or the re4altions between ideas. Logic cannot instruct us how to act in a given circumstance. Logic does not usually tell us what we do not already know. … It is better at refutation than assertion.

The relation of the individual to society might correspond to the part/whole relation in beauty, but individual good is often achieved as the cost of much suffering, while the good of the many demands the sacrifice of the few. At least in this way, the part/whole relation of beauty differs from the one/many relation in society.

The universal is immanent in every particular.

(emphasis mine)

The aha experience, the sudden apprehension of a profound truth, the awareness of time and space in the perception of nature, the apprehension of deep order, symmetry and perfection that gives the experience of the sublime, for truth or for beauty, do not occur with the recognition of the good. Nor is there the same degree of cynicism. Because the good is a secondary construction, a good act raises questions of intent that do not occur for truth and beauty.

Goodness is conceived as the whole of its relations. If objects are relational there is no demarcation of object an property. The bundle of properties that constitutes an act of goodness is a complex of relations. The idea of the good as an object with properties rests on the distinction of substance and quality, or subject and predicate, for the property has to be a property of some object.

The good is not a natural, physiological (culture-independent) category like beauty or colour, or a consensual fact-based category like truth.

… the perception of colour, though subjective, is independent of personality, whereas goodness is directly related to character.

Any property is a category of sub-types, but this is especially so with goodness where the property has both a subjective and an objective aspect.

Even the most obvious property of goodness needs to be contextually decontaminated. An unselfish parent can ruin a child, generosity can degrade the feeling of self-worth, etc. As with truth or beauty, the good is illustrated and taught by examples, but the category of the good rests more precariously than truth and beauty on its concrete illustrations.

The presence of covert emotion in reason, or the ability to rationalise feeling, implies that reason itself has an affective tone. The ideal develops out of the conceptual feeling as an experience of the pre-object category. Put differently, ideals are created out of categories as rational aims that can supplant the affective aims of desire. When an ideal becomes the goal of a desire, the affective element dissolves in an object into which it can discharge, while the rational element reatins the meaning in a concept that is unspecified as to content and intention.

It is not a simple matter to desire a generality, a universality or an ideal that is not accented by some instance of possibility.

… the desire for the category is more like a yearning or a longing, which is a waiting for the object to clarify, while a desire directed to an object embodies the wish to have it: it excludes similar objects and suffers the fear of its loss. Just as we generalise an ideal from the particular in the good objects of desire, we seek an ideal love or in life the particular in the category.

The good is not a natural category, like beauty, nor a logical one like truth, which enfold instances of their expression, but an artifice derived from its examples. … Goodness is a conventional category abstracted from its examples not prior to them.

As an ideal self, the good is a subjective possibility that aims at self-realisation. That is, the categories that specify the particulars of conduct can themselves be idealised at subjective or objective polarity. … On this view, one’s moral duty is not to conform one’s conduct to the ideal good, but to realise in all acts the ideal self.

(emphasis mine)

PAL Chapter 6. From Drive to Desire. pp.173-192

To see the organism in nature, the nervous system in the organism, the brain in the nervous system, the cortex in the brain is the answer to the problems which haunt philosophy, and when thus seen they will be seen to be … as events are in history, in a moving, growing, never finished process. ~ John Dewey (1925)

Process and form refer to the dynamic and static aspects of every entity, including the mind/brain state. The dynamic and static, the phasic and tonic, are unified in the relation of quality and quantity, or becoming and being.

Brain morphology is not a collection of anatomical parts that discharge functions or house them, but the specious stability of frozen process. The wave-like spread of configurations laying down the mind-brain state is, myriad patterns of configurations over distributed areas that sweep from archaic to recent formations laying down behaviour or cognition. Behaviour is four dimensional structure as process actualises into form.

(emphasis mine)

The shift from an extrinsic series to a simultaneous arising, from an exogenous to an endogenous development, and the nesting of this pattern in multi-tiered lamination of phase-transitions, forms the essential ‘structure’ of an act of cognition, i.e. the mind/brain state.

In microgenetic theory, cognition is wholly endogenous, the role of experience (social, environmental) being to “fine tune” the specification. Innate dispositions are carved by learning to knowledge, which is derived to concepts of greater specificity. Concepts are formulated with greater precision. The specification by constraints on the cognitive process corresponds to the specification of anatomical and functional connectivity, in maturation, by elimination or inhibition. Learning influences anatomy and physiology by enhancing or impeding endogenous trends, not by an addition to an existing repertoire.

For microgenesis, affect and idea are dependent phenomena. Feeling (quality, becoming) creates and is enfolded by representation or category (quantity, being).

Values that reflect self-interest arise out of drives that ensure survival. Every drop of self interest can be traced to an unconscious pool of self-preservation. Every occasion of genuine empathy can be traced to – but not reduced to – innate constructs relating to patterns of infant care, social hierarchy and deference to others.

All entities have the aim of becoming what they are, and all organisms seek what they need to survive, but it is a long way to go from subjective aim and incipient purposefulness to full fledged human intention.

As mind issues from, and creates, the manifold of the world, the self distributes an array of psychic contents.

Value is realised in the action-stream as self-realisation, but the will can also be channelled in to the perception-stream as an outward derivation of feeling into objects. Generally, manifestation is the action of will, which is primarily egoistic, while perception is the vehicle by which the other is realised.

(emphasis mine)

Desire actualises at successive points in the realisation of acts, percepts and their linguistic derivations. Object development carries a desire outward, as worth, into other objects, whereas act development realises desire in wither selfish or unselfish pursuits.

When an aim becomes an idea, the seeking of it becomes an intention. Intention is a bridge from self to object or idea.

 

Instinctual Drive (lower mammals) >> Object existence

Instinctual Drive (higher mammals) >> Proto-desire >> Object Value

Instinctual Drive (humans) >> Self >> Desire >> Object Worth

The value in a physical entity, or a perceptual object in the world, arises spontaneously with feeling, as existence, expanding desire to object worth. In this expansion, the innate inheritance is continuous with instilled values. The branching of acquired values accentuates a growth trend obscured by the uniqueness of the human mode of valuation and its obvious cultural determinants. We are the source of feeling and object value because we are entities of value-creation. We create objects of value but we are also products of the value-stream that carries value outward, first into the self, then its desires, finally into its objects. The value of objects is forecast in the worth we give to private images, such as dreams and thoughts.

A psychological distance and a relation of contrast are necessary across segments in the mind/brain for desire to be directed to a target of worth. The self is the source of desire. Its concepts, especially in choice, are the repository of agency, its objects, the principle locus of value.

Yet there are moments when the self is consumed with passion or its objects overflow with value, when love or hate usurp the subjective pole, when objects disappear as the self is overcome with feeling, or objects become so wonderful or detestable that, for the moment at least, nothing else matters.

With a splitting of concepts at the inner or subjective pole, ideas may become so remote from their emotional root that they are valued purely for their rationality. The analysis of conceptual feeling is carried to such an extreme that barely a trickle of personal feeling invades the endpoints of conceptualisation. The idea is a mental object comparable to an object in perception. Such ideas, like objects, seem to have a life of their own, independent of feeling, though the intensity of belief and passion of argument betray a covert subjectivity latent in the idea. With an excessive discrimination of self or world, feeling withers in its objects, which are emptied of affect to become mechanical, even worthless.

The person who argues too passionately for a belief he takes to be rational reveals that his concepts are not logical instruments which persuade by their truth, but derivatives of unconscious presuppositions imbued with feeling.

There are also times when the unconscious pool of magical thought surfaces to a pre-analytic endpoint, and the whole of perception is blanketed with an intense emotion. Then, a certain balance of inner and outer prevails and everything shines with a deep radiance, … At such times we sense the life of feeling in a world of creation and we wonder if we have given this feeling to the world or if the world, including ourselves, is animated by a single feeling that flows from nature through all of us.

Valuations in the self lay down force lines or habits that determine consecutive states. When beliefs and values are habitual or unquestioned, the thoughts and actions of an individual have a limited scope. … receptiveness and openness to novelty are bridges to interest and precursors of valuation. Custom may be the lord of ethics, but it can also be an antidote to desire, just as spontaneous or authentic moral feeling can be dulled by a sense of duty.

The physicist Richard Feynman (1998) wrote, “what looks still to our crude eyes is a wild and dynamic dance.” He was referring to non-cognitive entities, but the dance also occurs in perceptual objects in the mind of the observer, for the apparent stability and independence of the object conceals the minds activity within it.

An object of marginal interest becomes the target of a consuming desire as unconscious phases in the perception are activated. The unconscious source that first inclines the focus of interest in the direction of the object is the basis of a growth in its value. Worth is not a judgement in the sense of a conscious decision, as something is judged to be true or false, but an unconscious feeling that urges the subject to a conscious explanation. When someone is desirable, we give reasons why this occurs … but these reasons alone do not suffice to make [them] desirable, for they could be applied to another person for whom one has no particular interest.

 

CA – p44 -120 – Sue

p 83

Within this framework of wholeness we may begin to conceive of value as an objective phenomenon which arises inevitably from the existence of wholeness as a structure.

p 92

The modern process leaves no room for feedback.

p 96

The essence of the process is that each step creates fine adaption, creates a beautiful relation between what has gone before and what is being done.

p 103

This paying attention to the wholeness is essentially synonymous with love of life.

It means paying attention to the emptiness of the desert, to the passion of an old woman sitting on her doorstep… to the laughter of children, to the smells of dinner being cooked. It means loving the glistening white plaster on the wall, the subtle evening light. It means taking in the whole, enjoying it, seeing it all, bathing in it, loving it.

p 108

Humans guide their actions according to a mental picture of the situation, according to schemata, rules, images and ideas. Because people make things according to such conceptual pictures of what we wish to do, each moment in the unfolding of the world at any given locus is governed by these images…. which have become more willful, more rule-bound, less and less in touch wth the wholeness that exists.

Doodles.

As I read pages 44 to 65 this morning, I doodled with CA’s injunctions on transformations from very simple beginnings (eg. a diamond, or series of dots). The aim is to add more structure through smooth transformations which preserve the wholeness, using the different pattern languages. After reading up to page 120 this evening and writing longhand the above quotes I let my mind loose. No images. But a desire to perhaps create a form… so I started swirling a centre for a head and then created new swirls. I looked at it and realised that these detracted from the wholeness, from the sense of centre. So started again.

At each point of curve I asked does this make this more or less whole. I added boundaries and patterns paying attention…. felt in a flow state…. and this is what popped out, words and all…. :)

Being alive to attention…. as I now write this and being alive to the way my husband is sitting over his computer opposite to me while the lights reflect in the window… and if I care to turn them off and go outside I will see the swirling milky way.

PAL Chapter 4 – Value in mind and nature. pp.127-143

Kill thy activities and still thy faculties if thou wouldst realise this birth in thee. ~ Meister Eckart.

For process theory, the dynamic in a mental content lies in its immediate prehistory, not its causal surface. The change from one state of mind or world to the next ia a novel becoming or near-replication of the immediately preceding state. Images, thoughts, feelings, objects in perception, do not cause something to occur; they appear, disappear ans are replaced by a subsequent state. The present state may be conceived as the effect of its antecedent, but it is a novel actualisation constrained by the state it replaces. In human mentation, the contents of awareness are actualities or finalities that perish, not solids with causal force. The process of actualisation, not what actualises, is the focus of change in mind and world.

In the actualisation process, mind and world are not parallel endpoints. The self is an intermediate phase in the object, which is an objectification of subjective phases in the mind/brain state.

Idealist philosophies regard the contents of the mind and the objects of perception as the phenomenal derivatives of a covert underlying reality. Concepts and objects, however, are not veils concealing formative process; they are the process that deposits them. Whether an object is conceived as real or phenomenal, there is still a development, a microgenesis or phase transition concealed within its surface form. The pattern of the phase-transition within an object is its reality, whether the unconscious process of the mind or the microphysical process of non-cognitive nature. Fundamental to this line of thought is that common process underlies the multiplicity of forms in nature and the diversity of contents sin human cognition.

More than consciousness, value brings the objectivity of the physical world into relation with human emotion and conceptuality.

To say that human valuation is continuous with value in simple physical entities is to claim that value is grounded in the cosmology of process metaphysics, even if the precursors of value in rocks or particles are far removed from their final manifestation in the human mind. In other words, there is no “bottom up” continuum from the intrinsic value of physical entities to the subjective valuations of human cognition.

The concept of intrinsic value traces to an ancient debate in metaphysics centring on the opposition of the qualitative and quantitative modes of analysis. The tensions in these modes of thought is expressed in cognition in the distinction of the qualitative feel of the inner experience and the quantitative science of objects. The feeling of a qualitative something in the mind that is lacking in physical objects is the basis of the dialectic between subject and object, or between inner experience and outer reality. … What a state is, is its objective existence. What a state feels like, is the dynamic within the state. This contrast at a more fundamental level is that of change and persistence, or the extremes of annihilation and eternalism that delimit the Buddhist middle way.

(P.131 has an important paragraph that is too long to share and not reducible to summary in a coherent manner :( )

the existence of an entity is its intrinsic value.

Intrinsic value as existence transforms to value as feeling, or from existence as a packet of energy to life as a vector of feeling. At the stage of intrinsic value (existence), the dynamic is a non-directional becoming of process within the being of entity. The temporality of the process within the entity, and the spatiality of the category that constitutes the entity, are different perspectives on the becoming and being that are the entity.

the duration establishes the entity as an existent, while the process over which the duration extends is a kind of vector. In elementary entities, this is an aim to actuality. In the human mind it is, in addition, a direction from self to world.

In brief, value is the being of an entity, or the being (substantiality) of an object, over the becoming of a momentary category of phases. … This way of thinking allows us to unify the temporality of change with the timelessness of category. Quantity arises in the existence of an entity as its duration actualises. Quality arises in the process through which the entity actualises. Similarly, objectivity, as an external perspective on an object, derives from the solidification of its category. Subjectivity , as the internal ‘perspective’ of the object or entity, derives from the change through which the category is laid down. Yet all entities are fundamentally the same, so the distinction turns on the emphasis of either the categorical (substantial) or transitive (processual) aspect of the same entity.

I would locate the subjective at the point where process is no longer isotropic, i.e. when directionality is crucial to a particular existent. At that point, one could say, energy shifts to feeling as the reversibility of intrinsic process becomes untenable.

The presence of feeling imports realness to the phase sequence.

Feeling as realness is the vitality of lower forms that exist in a mode of sensory experience as it makes contact with the environment. Feeling reaches into the sensory organs and promotes movement in a reflex arc. … As feeling transforms to instinct, the circularity of the sensor-motor contact of organism with environment [...] shifts to a unified act-object. The closed circuit of reflex shifts to a simultaneous construct that is the core of a mental representation. For example, when the frog’s tongue captures a fly, perception and action occur as a unit.

Gradually, the response bias of instinct gives way to the potential of drive. The enhancement of antecedent phases of possibility at the expense of the rigid interlocking sensori-motor dependencies of instinct helps to individuate organism and enlarge its affective repertoire. With the drives – aggression, fear, appetite – there are many routes to satisfaction, the fractionation of drive is the threshold of individuality. The subjectivity of the actualising organism is more emphatic as its objective segment, the perceptual world, is articulated by feelings in objects of interest. Inner and outer worlds are the subjective and objective phases of a single perception. … The next stage transforms this pattern to a mature human cognition.

This occurs through an accentuation at a phase previously bypassed in the immediacy of object actualisation where conceptual primitives invested with drive energy allocate feeling to the merging object-concepts that give rise to perceptual objects. In this phase of conceptual feeling, the affective tonality of object-concepts replaces the object-bound drives with the concept-bound desires. The feeling in a concept replaces the feeling in or for an object.

Feeling is like a river that recurs from a source in the mind to a destination in the world, one moment surging up at a proximal phase, another, cascading downstream, yet all the while, an interior dynamic of a larger object, the mind/brain state, that is constantly pouring out objects.

An account of human perception is critical to the so-called observer error in physics, but is also necessary to bring novel insights to physical theory.

Dividing the length of an electron by the speed of light, Whitrow (1972) defined a chronon as the shortest interval of time, 10 to the minus 24 seconds.

(emphasis mine – interesting factoid ^)

The objective segment of a perception is the world we perceive. The subjective segment is the route through which it gets there and the self that perceives it. The self and experiential memories are laid down in the wake of the object as “deep structures” in its actualisation. The mind/brain state is a wave of process that stretches from the core of the mind to the rim of the world.

The ground of existence is augmented in the feeling of realness, which is then allocated to the proximal or distal polarity of the mind/brain state so as to enhance intrinsic value and realness to desire or worth. Desire is an accentuation of the subjective polarity, worth of the objective polarity. Yet, intrinsic value is the basis on which realness and desire develop as the first stages in the conceptual valuation of the object.

Interest is the qualitative shift in value from realness to worth. The conceptual feeling that is channelled into the object heightens its affective content. The object stands out, signifys something beyond itself. An object of desire that has interest or worth can also be a concept or an idea distinct from the desire for it by the self.

The relative emphasis on a proximal-subjective or distal-objective segment in the mental state determines whether valuation will be felt in the perceiver as desire, or in the object as worth.

To sum up; a perception is a transition over phases leading from self to world. A single transition, an act of cognition, is a mind/brain state. An object includes all of the phases in its development. Basic entities also exist as duration. Intrinsic value is the existence of a physical entity over its phases. The intrinsic value of an entity, or a mind/brain state, is its non-cognitive existence. This is the foundation of its initial subjective valuation as realness. Physical entities exist before they are felt as real. They cannot have the feeling of realness without being existents, even if those existents are hallucinatory or virtual. Realness is the accentuation of existence in organism. The object not only exists, but fells real. As intrinsic value grounds realness, so realness grounds a more developed valuation. … The transition os from intrinsic value (existence) of inorganic entities, as the envelope of their waveform, through the realness of organic life, in which process becomes directional, to the conceptual feeling of human cognition, in which desire and worth precipitate as the affective content of abject-concepts at their subjective and objective polarities.